Baroque-pop group Liz and the Lost Boys have released a new EP, As If/Explain, on their Bandcamp today. The first song, “As If”, layers Lost Boys’ tried-and-true harp sections with jazzy piano chords and chastises a misguided foe, while the second, “Explain”, is a melodic, Regina Spektor-esque ode to the narrator’s emotional well-being. Continue reading →
Thumpers is an indie pop duo from London, England, whose high-energy performances are sure to get you dancing. The band is currently on the road in America promoting their debut album, Galore, which has garnered pleasing reviews from outlets such as AllMusic and Under the Radar. Tickets for the 21+ show are available here. Continue reading →
Philly rock trio Tinmouth has been kicking around the city for a couple of years now, playing bills with the likes of Eternal Summers, Free Time, and Dent May while refining their brand of fuzzy, college rock. A self-described bunch of “reformed romantics, somewhere beyond Missed Connections and Casual Encounters,” the band both distills and pays tribute to classic rock tropes, creating something exciting and warmly familiar. Continue reading →
Bear In Heaven’s latest record, Time is Over One Day Old, has a telling song called “Dissolve the Walls.” It song starts off as a faraway confusion of conversation, blitzy synth running down a long tunnel as an upbeat womanly chorus chants: “Let the walls dissolve/ till there’s no room at all/ there’s no ceiling, no floor/ no windows, no door.”
Given this particular track and the cover art of the 2014 album (on which I can’t help but see a galactic rolling paper), you might think you could easily file it under ‘other worldly weirdness,’ right next to 2001: A Space Odyssey. But the group never has stopped with just one sonic style compartment, so you really can’t file this album as a whole under anything (and not next to any of the group’s previous releases, either).
“We’re always talking about output or creation, so it’s certainly not this, ‘alright, let’s definitely make this an effort to strip things back…’” says Adam Wills, guitarist and co-founder of Bear in Heaven, and writer of the song. The group, which headlines Johnny Brenda’s tonight, began 10 years ago as a project between Wills and co-founder/vocalist Jon Philpot. Continue reading →
Local indie rockers Southwork will play Johnny Brenda’s tonight, celebrating the release of its latest record Wear Your Heart Out. The record was recorded in a South Philly row home on a reel-to-reel tape machine owned by frontman Mike Vivas’ cousins. The recordings are raw and heartfelt, just fuzzy enough to sound like a warp-y dream. Take a listen to “Tell You a Story” below and pick up tickets for the show with Tutlie and Purples here. Continue reading →
Tim Motzer’s guitar is an infinitely adaptable piece of machinery. He regularly wields the instrument in a staggering variety of contexts, always fitting in with whatever genre he finds himself recruited for, while also warping it just the right amount to spotlight his inventive individuality without muscling his way into the spotlight. Of course, it helps that the artists he chooses to collaborate with are all on the eccentric or at least envelope-pushing end of the spectrum in their own fields, from Ursula Rucker to King Britt to Kurt Rosenwinkel.
Brooklyn’s People Get Ready bring their Physiques tour to Johnny Brenda’s tonight. The indie super group, which features members from Yeasayer, A Sunny Day in Glasgow and Lizzie Trulie released the LP in June earning praise from NPR for its blend of rock, dance and performance art. Watch the video for the title track below and pick up tickets here.
Ex Hex is the new project from Mary Timony (formerly of Helium and Wild Flag). Their newest single “Don’t Wanna Lose” is explosive from the outset; it is loud, in your face and full of girl power. Listen below and see their show tonight at Johnny Brenda’s along with Hospitality and local fuzz-pop outfit Hurry. This show is 21+. Continue reading →
A tribute for the late Baltimore-born guitarist Robbie Basho has been scheduled for August 23rd at Johnny Brenda’s, presented by Alabaster Museum and featuring a preview of a new documentary about the musician. Basho was part of the so-called Takoma School in the 60s with John Fahey, Max Ochs and others, bringing more recognition to finger-style and steel-string acoustic guitar playing. Basho, though, was also known for his unmistakable singing – similar to Roy Orbison but even more striking, rich with vibrato and carrying over an impressive range.
With performances by Basho-influenced musicians Daniel Bachman, Ryley Walker, Glenn Jones, and Arborea, the evening will act as a fundraiser for Voice of the Eagle: The Enigma of Robbie Basho, the first-ever documentary about Basho’s life. Tickets and information can be found here. Listen to “Blue Crystal Fire” by Basho below, followed by songs from each of the performers.