In some ways, Josh Lawrence’s new album Color Theory serves as a farewell to Philadelphia. At the same time that the trumpet player was in the studio last summer, he was making arrangements to move to New York City, that essential proving ground for rising stars in the jazz world.
At the same time, the album, which Lawrence will celebrate this weekend at South, shows off the simmering chemistry of a largely Philly-based band and a sound steeped in the raucous, burning hard-bop style so rooted in this city – suggesting that Lawrence may not be so eager to leave his adopted hometown behind.
“I feel rooted here,” Lawrence said over coffee last month at La Colombe, with City Hall looming in the background. “I’ve lived in Philly longer than I’ve lived anywhere else in my life, and people here consider me as being from Philly. This is where I’m rooted musically, too – the record sounds like a Philly record to me.”