On her winter tour, country popstar Kacey Musgraves got a lot of attention for a rendition of Gloria Gaynor’s “I Will Survive,” performed with opener Natalie Prass. Her love of the disco favorite was evident in the way she wholly embodied its spirit, and that musical empathy extends to two more recent covers she’s done on the road, beginning this past Monday at RodeoHouston in her native Texas. Continue reading →
If you didn’t snag tickets to the super sold-out Kacey Musgraves show that graced The Fillmore Philly last month, fear not: the acclaimed country-pop singer songwriter is returning to Philadelphia in late summer as the second leg of her run in support of last year’s Golden Hour — the Oh What a World: Tour II, she’s calling it — comes to The Met Philadelphia on September 11th. Continue reading →
Having witnessed the magic of East Texan singer-songwriter Kacey Musgraves on an earlier turn through Philly country (the Trocadero, 2015), there were certain elements of her live showcase that I was prepared for when she hit the stage at the Fillmore for a waaaay sold out gig on Friday night. That she would be sassy and foul mouthed. That her well-dressed band would hit any joint passed up to the stage from the audience. That she would chattily interact with the audience. That there would be hats, and not all of them cowboy. That she and her ensemble would spend lots of time backlit and in the dark so to create an air of mystery that has little to do with her forthright songwriting skills and salted caramel vocals.
Touring then after the release of the sugar honky tonk modern classic, Pageant Material, required all toes and several fingers tucked into the tones of traditional country, skiffle rhythm and rockabilly to go with her sophisti-cosmopolitan take on C&W pop.
What a difference, however, several years, emotional and aesthetic growth and maturation, marriage, a shimmering new Golden Hour, and Grammy noms for Album of the Year make. The Musgraves & Co. that took that Fillmore stage on Friday night were a smoother, shinier lot with far fewer detours like the raw “Family Is Family,” the acoustic fairy tale “Merry Go ‘Round,” and the tender lyrical pragmatism of “We get bored, so we get married / Just like dust, we settle in this town.”
What was the order of the night — played to a super hyped-crowd, several ‘rainbow yeehah’ fans up front, and even a marriage proposal in VIP (congrats Navy serviceman Daniel Caton and Avery Davis) — was a set of love and like songs that was gentler, smoother, sleeker and even in tone. Continue reading →
Later this very night, Kacey Musgraves will play on a much larger stage to a much larger crowd. But this afternoon, the rising country star was more than content to bring things down a notch and play a soft, intimate set to a crowd brimming with enthusiasm.
Before today’s performance even began, as a line of eager audience members filled the World Cafe Live stairs and spilled out the door, it became clear that this would not be your average Free at Noon. And if you were lucky enough to score a spot at today’s sold-out show, you had the rare chance to see Kacey Musgraves on what may just be the smallest stage you’ll ever see her. But even though the Texas native is accustomed to playing bigger shows these days — especially on her current arena tour with Harry Styles, which makes a stop at the Wells Fargo Center tonight — she seemed downright thrilled by venue’s homey feel and awestruck crowd.