On a summer night in 2014, Zoe Allaire Reynolds was driving from Tennessee back home to Philadelphia with a carful of people she didn’t really know.
Reynolds hadn’t released any music as Kississippiyet, but that night, as she often does, she put what was going on in her head into words. She wrote about that specific moment in time, about who was with her and who wasn’t: “In the backseat of Max’s car / Philadelphia gobbles up the stars / A thousand miles from where you are.”
These lyrics would become the song “Googly Eyes,” which would later appear on Kississippi’s first EP, 2015’s We Have No Future, We’re All Doomed. Continue reading →
Ever since Kississippiannounced there was new music in the works late last year, we’ve been brimming with anticipation. The project of Philly’s Zoe Reynolds, Kississippi shared the delightfully catchy single “Cut Yr Teeth” in December, along with news that a debut full-length would be on its way soon. Called Sunset Blush, the record be Kississippi’s first release since the 2015 EP We Have No Future, We’re All Doomed.
Now, we have even more Kississippi details. Sunset Blush will be released April 6, and to help bide the time, we have a shiny new single to jam to — “Easier to Love” is out now, and it’s one of Kississippi’s most well-crafted, full-sounding tunes yet. Continue reading →
If the term “field medic” only and immediately conjures a mental image of medical personnel tending to wounded soldiers in combat, you’re probably wondering who this ginger-bearded DIY lad is that’s currently staring at you from the picture above. At least those were my thoughts a couple of months ago when I first soaked in the bill for the now-upcoming gig at Everybody Hits with Kississippi, Field Medic, Shannen Moser (replacing Harmony Woods), and Cherry. Three of these names I knew, of course — they’re the shining scene stars of Philly. ‘Twas the red-headed string bean who stumped me.
So I took to Field Medic’s Bandcamp, where the hardcore metal-esque black and red profile reading “freak folk/bedroom pop/post-country,” began spinning out a bluegrass-level, live-recorded traditional folk singalong called “do a little dope” — complete with whistles and pup-like howls and hollers. Utterly confused but in a happily surprised sort of way, I chuckled through the array of meme aesthetic titles (e.g. “p e g a s u s t h o t z,” “NEON FLOWERZ,” “me, my gibberish, & the moon,” etc.) and decided on the track “OTL” next. Harmonica-driven with self-aware, goofy lyrics like the line “I’m at the grocery store buying EBT sushi, wasabi soy sauce one true love,” mixed with true hopeless romantic sincerity, I knew I would be hooked on whatever else awaited me from this refreshing project.
But that left me with the question of who in sam heck is this colorful DIY character who crafts sweet love songs in the most authentic folk tradition? It’s Kevin Patrick, the San-Francisco artist who now splits his time halfway between San Fran and LA, that’s who. He’s had a pretty good year, I’d say, as 2017 brought an induction to the Run For Cover family and the resulting release of his first full-length album, Songs from the Sunroom, with them. But this record is really like a compilation of sorts, as Patrick has been making and sharing self-recorded tracks on Bandcamp for years now — those of which past gems make up this record.
Still left with many questions about the project, I was able to speak with Patrick on the phone last Wednesday morning while he was strolling the streets of San Francisco following his fruitless attempts at thrifting for a boom box to use on tour. Continue reading →
Philadelphia-based indie pop band Kississippi, under the guidance of fearless leader Zoë Reynolds, took the stage for a twinkling midday set Friday ahead of an eventful weekend here in Philadelphia. Most known to pack houses and basements, the band was caught off guard at the size of the WCL midday crowd. Kississippi ripped through their set, nonetheless, and gratefully appreciated the turnout by the mass of Midnight Green-clad fans. Continue reading →
Hold whatever you’re doing, friends, because there is one mighty fine gig coming up that you must know about. Taking place at Everybody Hits on February 15th, this beautiful bill boasts Kississippi, Field Medic, and Harmony Woods. So yes, just go and knock my hat off, why don’tcha. Continue reading →
Kississippi is back, and stronger than ever. The recording project of Zoe Reynolds has become such a fixture of the Philly music scene lately that it’s easy to forget it’s been two years since their debut EP, We Have No Future, We’re All Doomed, was released. The XPN Fest alum has certainly kept busy over those last two years, though, and just announced that their first full-length, Sunset Blush, will be released in April 2018 via SideOneDummy Records. Continue reading →
Rapsody was last seen in Philly at this year’s Made in America Festival, and the city’s been awaiting her return ever since. The North Carolina MC and hip-hop artist brings her “Wisdom is Power” tour to The Foundry tonight in support of her debut solo album Laila’s Wisdom, released earlier this fall.Watch Rapsody’s video for “Power” below, featuring Kendrick Lamar. Find tickets and more information on tonight’s show on the XPN Concert Calendar. Continue reading →
Philly fave Kississippi brings dreamy indie-pop to Everybody Hits tonight. Fresh off a tour supporting Young and Heartless, tonight’s show will kick off Kississippi’s headlining tour with Fern Mayo. Don’t miss Zoe Reynolds’ folky vocals layered with shoegazey, bedroom pop vibes before they set out. More info can be found here; watch Kississippi wow the crowd with their performance of “Indigo” at last year’s XPoNential Fest below. Continue reading →
Philly dreampop outfit Kississippi kicked off a February solo tour with Young and Heartless last night in Lancaster; in March, they’re going out on their own full band headlining run. And based on this recent set of recordings from the Daytrotter vaults, frontwoman Zoë Allaire Reynolds and her four bandmates have a bright and bold setlist in store.
Where the band’s wonderful 2015 EP We Have No Future, We’re All Doomed leaned mellow and melancholic, the new song “Once Good” — which Kississippi debuted in its Daytrotter session — steps into a newly energized realm, placing Reynolds’ contemplative songwriting in a world of racing rhythms and soaring guitars. Continue reading →
Lame-O Record’s annual residency at Boot and Saddle ends with a bang, leaving with a headlining set by Three Man Cannon. Their relaxed indie rock is quintessential to Lame-O’s roster, and Katie Ellen and The Afterglows as support makes this a stacked local bill not to be missed. The gig is 21+, and all proceeds will be donated to the Philly ACLU; more information and tickets can be found here. Continue reading →