Norway’s Kygo and the new EDM niche of trop-house

Kygo | photo via

If you’ve noticed a surge in chilled-out pseudo-house in today’s commercial electronic scene, it’s not just you. In an almost unpredictable turn after adopting high-energy trap and twerk (and moombahton before that) the commercial EDM community has opened its ears to a new, laid-back subgenre known as “tropical house.” Trop-house is possibly one of the most structurally-flexible subgenres of electronica to make it to the forefront of the scene. Drums are typically (but not always) four-on-the-floor, tempo ranges anywhere from 100-128 BPM, and instrumental synthesis tendencies are really up to whomever’s making it. It’s truly a creative-minded producer’s fantasy. Continue reading →