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Listen to Tigers Jaw’s new Studio 4 Acoustic Session

Tigers Jaw | Photo via Facebook
Tigers Jaw | Photo via Facebook

Back at the beginning of June, we were stoked to announce Tigers Jaw’s acoustic album. Now, it’s finally available for streaming.

The album will be officially released next week on June 30th via Will Yip’s new label, Memory Music. The album is a live recording of an intimate Tigers Jaw performance held at Studio 4 a year and a half ago. At that show, Ben Walsh and Brianna Collins debuted acoustic versions of Tigers Jaw favorites, a few Title Fight covers, and some rarities. Continue reading →

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Alvvays entrances the crowd and spurs a moshpit at Union Transfer

Alvvays @ Union Transfer, Philadelphia. Photo by Cameron Pollack
Alvvays @ Union Transfer, Philadelphia. Photo by Cameron Pollack

Whenever I walk into a venue, I look around and try to guess the median age of the crowd. Sometimes it’s for kicks, but sometimes it’s very telling about what the nature of the concert will be. I’ve walked into enough shows with the crowd brimming with high-school age teenagers to know that, should the crowd be of this age, the show will involve the bulk of the audience bobbing their heads and pretending to know the words. Alvvays at Union Transfer was very much an exception. Continue reading →

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Hear a new Needle Points live studio session from WKDU

Needle Points | photo via facebook.com/needlepointsband
Needle Points | photo via facebook.com/needlepointsband

In a new studio session with Drexel student-run station WKDU, garage-psychedelic band Needle Points jam to out their tracks “Just Watch Me Know,” “I Drink Rainfall” and “City Walls” (and more).  After you take a listen below, be sure to check out their last album, Bom Tugangu, and purchase it on your preferred medium (vinyl or digital, here).  They don’t have any upcoming shows in Philly, however, if you happen to be attending next month’s Firefly Festival in Dover, Delaware, be sure to check them out on June 20th presented by Red Bull Sound Select.

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A resurrected Rocket From the Crypt bring high energy to a sweaty Underground Arts

Rocket From the Crypt | Photo by Pete Troshak |
Rocket From the Crypt | Photo by Pete Troshak |

San Diego’s Rocket From The Crypt proved they were back from the dead last week, rocking a sweaty, aggressive packed house at Underground Arts. The group disbanded in 2005 after fifteen years and seven guitar-and-horn-fueled punk albums together, including the classic Scream, Dracula, Scream! in 1995. The band was also known for saying that anyone that got a Rocket From The Crypt tattoo would be admitted to any show by the band for free. They reunited under the most bizarre circumstances, due to a children’s TV show. Singer John “Speedo” Reis is a recurring character on Yo Gabba Gabba called “The Swami” and the band reunited to play on an episode in 2011. One thing led to another and the band has since played some dates and a handful of festivals, sticking to their old material while being warmly received by fans that never expected to see them together again.

Timothy Olyphant look-alike Dan Sartain opened, delivering a memorable forty minute rapid fire set of his rumbling rockabilly punk rock. Joined by just a drummer, Sartain sweated and bashed out chords on his battle-worn Silvertone hollowbody guitar. The Ramones influence is obvious in his music and fittingly he kickstarted most songs with a hearty 1-2-3-4 countdown. The crowd seemed very familiar with his material, and sang along frequently. Sartain seemed to really appreciate the crowd’s reaction, and proved he was one of them by showing off an old Rocket From The Crypt tattoo on his upper right arm. Sartain has a new album called Dudesblood due out soon.

After Sartain’s set ended there was a forty five minute wait for Rocket From The Crypt to take the stage, which led to some grumbling in the sell-out crowd. All was forgiven when the band hit the stage and ignited the crowd with a trio of songs from their ‘95 EP The State of Art is on Fire – “Light Me,” “A+ In Arson Class” and “Rid Or Ride.” What followed was an intense twenty-plus song set spanning their career with neither the band nor crowd taking their foot off the gas pedal till the end. The six piece band barely fit on the small stage and the crowd was even packed around the open sides of the stage, giving the show a claustrophobic but exciting vibe. The crowd cheered and smiled throughout, regularly surging forward to get closer to the band. The highlight of the night was a swaggering blitz through the first three songs from Scream, Dracula, Scream! – “Middle,” “Born in ‘69” and “Rope”.that sent the crowd into a sweaty, moshing, roaring frenzy. The band’s performance spoke louder than words, and it said that this is a band that is still powerful and that can have a future to add to their past success. Here’s hoping that they stay together and make more music.

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Karmin kicked off its Pulses tour with a high-energy TLA show

Karmin | Photo by Pete Troshak | shak74.com
Karmin | Photo by Pete Troshak | shak74.com

The story of Karmin is one of the most interesting in music the last few years. Engaged pop duo Nick Noonan and Amy Heidemann started out covering hits by other artists in an attempt to show off their talents. They amassed millions of views on YouTube and fulfilled the dreams of every struggling musician by getting signed to a major label. They got backed by Questlove of the Roots here and here. They released an EP called Hello in 2012 that yielded a hit in the form of the inescapably catchy “Brokenhearted.” Everything seemed to be going their way, but then the ride got bumpy. The first full length album, Pulses, has been complete for over a year but in limbo due to disagreements between Karmin and Epic Records. The band is out on the road for their first tour as headliners despite the album not being for sale (it’s scheduled for release 5/25), and gave an impressive show at the Theatre Of Living Arts on Friday night on one of the first dates of their Pulses tour. Continue reading →