Just Announced: Lovelorn returns to Johnny Brenda’s in June

Lovelorn | courtesy of the artist

Philly darkwave outfit Lovelorn will play their first hometown show of 2019 at Johnny Brenda’s on June 20, headlining a lineup that also includes Queen Jo, Pouring Silver and Arch Of Love. The duo of Anna and Patrick Troxell started out in local psych punk band Creepoid before moving on to the current project, and they’re getting ready to release Lovelorn’s debut LP. Continue reading →


The Key Studio Sessions: Lovelorn

There’s always been an element of chaos to the three lifelong friends in Philly’s Lovelorn. It followed them all across their long running heavy psych punk outfit Creepoid, from brawls to arrests; for a survey of the more legendary incidents involving that band, check out this retrospective by Megan Matuzak, written prior to their farewell show in February.

With that kind of lineage, it couldn’t be more appropriate that a fire alarm went off during Lovelorn’s first-ever radio performance at WXPN. Continue reading →


Watch Lovelorn make its live Philly debut at Underground Arts

Lovelorn | photo via

There’s an exciting new band in town, folks. Lovelorn was born from the dissolution of long-running Philly psych-punks Creepoid, and they just played their first hometown show, opening for Dead Meadow at Underground Arts on Sunday night.

Lovelorn’s full, half-hour long set was captured on video, so those who missed the performance (or those who were there and want to experience it all over again) can watch it below. Continue reading →


As Creepoid prepares for its final bow, Lovelorn debuts with “Chains”

Philly’s Creepoid is playing their farewell show this Saturday the 17th at Union Transfer, but three-fourths of of the band are continuing on under the name Lovelorn, and they’ve just released their first single “Chains”.

With bassist Anna Troxell at the front, the song is sleepy and atmospheric with hazy, distorted guitar, steady drums and bass, and far away, airy vocals. One thing that especially caught my interest was the way the guitar interacts with the vocals, at times functioning the same as backup vocals would. The lyrics are interesting and imaginative with lines like “So take me away to my next big mistake / down through the gutter and out the gate.” Continue reading →