Critics may contend that Low frontman Alan Sparhawk was a mid-90’s iconoclast, in a way, having eschewed the predominant contemporary genres of Duluth, Minnesota in favor of the music that Low became known for: a subdued and often dark brand of moody rock and roll. On the other hand, the 90’s outside of Duluth were full of that too, from Tanya Donelly’s somber psychedelic strokes on Belly’s excellent debut record Star to the era’s lo-fi poster kids My Bloody Valentine.
But, forget the 90’s for a minute, because the era isn’t necessarily always relevant in the context of this band. The most distinctive element of Low’s music and stagecraft lie in the signature, often haunting harmonies between Sparhawk and wife Mimi Parker, as she lightly dusts her snares with her trademark percussion brushes. Together with bassist and keyboard player Steve Garrington, Low created a compelling mood at Johnny Brenda’s last night, approved of in tacit head-nods by a legion of devoted fans at the sold out show, the same fans that forgave them for rescheduling a Philly appearance last Fall interrupted by a papal visit, and who turned out in numbers on a rainy Winter night regardless.