Last time we caught up with Central Pennsylvania’s Josh Hines, he was deep in the minimalist folk era of his ongoing songwriting outlet Maitland. The project has always existed in two forms, as I noted at the time: the multi-instrumental configuration Hines records with and brings out for shows on occasion, and the solo SoHo-inspired folkie that was making the rounds much more frequently in 2014.
As I wrote of the latter approach, which recorded Maitland’s first Key Studio Session: “It’s music that, in this most minimal of arrangements, sounds complete, but at the same time you’ll hear how Maitland the band might build on this foundation.”
Flash forward two and a half years, and the band does just that in Maitland’s return to the Key Studio Sessions.
Continue reading →