The Stray Birds, Tinsley Ellis, Marah, Wayne Hancock, Selwyn Birchwood, The Innocence Mission, and Lil Ed & The Blues Imperials are just a handful of the over 50 plus artists that have been announced for the Lancaster Roots & Blues festival from February 26th to February 28th in Lancaster, PA. Continue reading →
Legendary Philly alt-country rockers Marah are coming to Underground Arts on October 17, and they’re bringing back the lineup that recorded their breakout album, Kids in Philly.
Marah have gone through many, many lineup changes throughout the years. If you missed your chance to see this stellar lineup back in the early 2000s, you’re in luck. Frontman David Bielanko will be joined by his brother, Serge Bielanko, along with Christine Smith, Adam Garbinksi, Dave Petersen, and Mark Sosnoskie, and special guests Mike “Slo-Mo” Brenner and Matt Cappy + horns. Continue reading →
The Album Leaf brings a short tour to World Cafe Live at The Queen tonight. Jimmy LaValle began the electronic project in California in the late nineties, collaborating with Conor Oberst and touring Japan before signing with Sub Pop in 2004. His last record was 2010′s A Chorus of Storytellers, though he’s performing new tracks on this current run of dates. Pick up tickets for the show here and watch the video for “Always For You” below.
Where do you even start with a band like Marah. The re-invented band’s set had a few XPoNential firsts, to begin with. First bagpipe on stage (probably), youngest band-member (young fiddle prodigy Gus Tritsch) and the first time I saw a line of fans line up at the back of the stage to autographs. From the name of their most recent record, Mountain Minstrelsy of Pennsylvania, you might expect a quaint back porch folk group but that is no where near what we got this afternoon on the Marina Stage.
The underdog set of this XPoNential Music Festival belongs to Marah – one known as a raucous Philadelphia rock band, now a raucous Central Pennsylvania folk band. Led by Dave Bielanko and Christine Smith, its project of late is the excellent 2014 offering Mountain Minstrelsy of Pennsylvania, where the six-piece recorded its own rearrangements and renditions of songs collected in 1931 by folklorist Harry Shoemaker.
This is where the underdog aspect comes in: as Dave explains, the songs they drew from – while they are as striking and resonant in a modern context as I imagine they might have been three-quarters of a century ago – are nonetheless the music of the people, everyday real people, the sort that cultural critics might tend to eschew and not anthologize in favor of somebody more…I don’t know…poetic. But this is poetry nevertheless. Continue reading →
Summing up an entire region’s music scene in an hour-ish long compilation is pretty much impossible. But dangit, we try our best. I’m very psyched for the roster of artists we’ve lined up on The Key Studio Sessions Volume 10, out today as a free download you can grab below. Pop-punk wave makers Modern Baseball did a version of “The Weekend” from their 2012 debut LP Sports, and the mini XPN shoutout they deliver at the end of the first chorus might be my favorite moment of the set. Continue reading →
Alt-country rockers Marah are one of the 30+ bands playing WXPN’s XPoNential Music Festival this summer at Wiggins Park/Susquehanna Bank Center July 25-27th. The band recently released Mountain Minstrelsy of Pennsylvania. The album was inspired by a 1931 book by Henry Shoemaker, “Mountain Minstrelsy of Pennsylvania.” Marah’s Dave Bielanko and Christine Smith wrote music for the early 20th Century and Civil War-era lyrics and recorded the album in an old farmhouse in Central Pennsylvania, where they relocated after leaving Philadelphia. The album is a impassioned collection of country & folk & gospel flavored rock-and-roll, recorded with a handful of local musicians including 9 year old fiddle prodigy and singer, Gus Tritsch. Gus steals much of the show on this new video for “A Melody of Rain,” a motley, yet swinging roots rave-up. Tickets for the XPoNential Music Festival are available here.
The Wiggins Park bill is filled with WXPN favorites, like alt-country heroes Old 97s, Jersey singer-songwriter Nicole Atkins and Diego Garcia, all of whom are return-XPNFest-ers.
There is also an assortment of up-and-coming names like countrified Nashville singer-songwriter Caitlin Rose (featured on World Cafe’s Sense of Place: Nashville series); Bear’s Den, a UK rock trio with a flair for drama (they made a splash at the March Edition of the Communion Club Night at Underground Arts), the jazzy / folky vocal combo Lake Street Dive and the art-pop powerhouse Lucius, (who knocked our socks off at Free at Noon late last year.)
Three days passes for new and renewing WXPN members are available now here. Tickets for the general public go on sale on May 1st; as with previous years, three-day passes will include lawn admission to the Susquehanna Bank Center shows (seated tickets to those are on sale separately, here and here).
Below, listen to a Spotify playlist of the Wiggins Park lineup, and read the complete list of artists after the jump.
Rodrigo y Gabriela
Trigger Hippy (featuring Joan Osborne, Jackie Greene & Steve Gorman)
Lake Street Dive
The Hold Steady
Hurray for the Riff Raff
C.J. Chenier and the Red Hot Louisiana Band
J. Roddy Walston & The Business
Viv and the Revival
Susquehanna Bank Center
Band of Horses
This week on Unlocked, The Key got the full scoop on Counting Your Curses by Katie Frank & The Pheromones. It’s the debut full-length from the local roots rock outfit, and you can download a track from it called “Halfway Gone” below before checking out the full feature here.
Joe Kille is the subject of this week’s Folkadelphia Session. The fiddler for Morning River Band struck out on his own with a new record Arkadelphia, described by Fred Knittel as “a smart set of timeless sounding country-noir songs.” Check out some live-recorded tracks from the LP for yourself below.
“It was hard to believe that some of these songs had faded so far so fast,” Dave Bielanko says. “We felt like if someone of our generation didn’t have a go at them they’d perhaps vanish completely.”
He’s talking about his latest project under the Marah monicker – Mountain Minstrelsy of Pennsylvania, a vibrant recording of songs collected by folklorist Henry Shoemaker in his 1931 book of the same name. Bielanko says the undertaking was the kind of idea musicians get all the time over beers: you think about how you’re going to record, you think about the types of rooms you’re going to play, you plan exciting and ambitious things – but don’t always follow through.
“Usually these big ideas fade away the next day,” he says . “But this time we didn’t let go, we kept pushing.”
When Marah caught the ear of the Philly music scene in the late 90s, it was revered locally and internationally as an outstanding live band. As we hear in this week’s Key Session – graciously guest engineered by Adam Staniszewski of StanzStudios – it still is an outstanding live band, though of a completely different sort. The instrumentation is acoustic and organic, not electric and rock club-ready; the beats come from snappy bootstomps more than hammering drums. The bass is upright and banjo is prominent. Christine Smith’s warm vocals match the old-timey arrangements, while Bielanko’s counterpoint singing has the same husky swagger as always, keeping a healthy mix of old and new Marah.
Probably the biggest surprise in the Mountain Minstrelsy ensemble is the 10 year old bandmate Gus Tritsch. He’s an ace fiddle player, and totally shreds (if “shred” can be used in a folk sense) on his lead parts, but also steps to the vocal mic for a roaring delivery on the lively, raucous parable called “Rattlesnake.”
Bielanko says that Tritsch “lives in the shadow of that church we recorded in” near the band’s new home base of Millheim in Central Pa. His proximity led to him becoming part of the project.
“At this point in my life I don’t believe I could possibly learn too much about music from anyone except a kid like Gus,” Bielanko says. “His fearlessness, his instincts. Watching him playing punk rock without really knowing what ‘punk rock’ is…performing this stuff live with him is an honor, he is a badass. We swap records now, for Christmas I gave him Every Picture Tells a Story.”
Mountain Minstrelsy of Pennsylvania came out last week; Marah plays Pittsburgh this weekend, Washington D.C. next weekend, and is shaping up plans for the summer. But, Bielanko says, “like a lot of cool things, we are not forever, we are not a ‘catch em next time’ kinda band. I love that aspect too.”
Listen and download Marah’s Key Studio Session below, and order Mountain Minstrelsyhere.
Support for The Key Studio Sessions, from Dogfish Head