Chali 2na performs at the Ardmore Music Hall tonight. The Chicago-born rapper has a collaboration list that includes legendary acts like Jurassic 5, Ozomatli, Run DMT, and Galactic, though his deep voice was most recently heard on Savoy’s “Love Is Killing Me.” Check out that track below and pick up tickets for the 21+ show with New Orleans jazz / funk outfit Professor Naughty here.
With wide-eyed wonder, an audience member in the front row grabbed the arm of her friend as singer-songwriter Margaret Glaspy took her voice from a tender warble to an impassioned gravel. Not quite folk and not quite grunge, Glaspy has carved out her own space in the scene to encapsulate the myriad of sounds she blends together. With her debut album Emotions and Math released in June, Glaspy power-packed her performance with as many tracks from the new LP as she could fit, even treating the crowd to encore featuring a just-written, untitled track. Continue reading →
She’s new to ATO Records, and soon she could be a household name. For now, we’re lucky enough to experience Margaret Glaspy at Johnny Brenda’s where she’ll play tonight. Last Friday, she released her debut record Emotions and Math. In April, she stopped by for a Folkadelphia Session. Give it a listen below and head to the XPN Concert Calendar for all the details on tonight’s gig. Continue reading →
Without a doubt, Margaret Glaspy is a name you’re gong to start to hear a lot of from now on. A new signing to the illustrious ATO Records, the world will feel the impact of Glaspy’s debut album this summer. She has spent recent years cutting her teeth touring with Rachel Yamagata, Aoife O’Donovan, Jayme Stone’s Lomax Project, and even Ricky Skaggs and Tim O’Brien. It would right on to say that her musical sensibilities fit snugly with any of these acts – however, there is something intrinsically different and unique about Glaspy. Let’s call it the “Glaspy Factor,” some extra energy, some “umph,” some kinda creative maelstrom that the artist and the listener get sucked up into. A taste of that can be heard on Glaspy’s EP, a lead-in to her full length. Continue reading →
As with the past twenty plus SXSW music festivals I’ve attended, coordinating seeing all the bands I’ve want to see each year I go is a function of timing and serendipity. And it’s nearly impossible to see everything I have on my wish list. At any time, there are both official and unofficial showcases all around the city, and there are literally hundreds of them. SXSW is a sprawling, crowded event where you can see a random band rocking out in a vacant parking lot, or see an emerging buzz band, or if you’re willing to wait in a long line to get into the Spotify house, or the Pandora stage or the Hype Hotel, you might be able to see some big name rock bands or rappers along with bands your industry friends have declared the next big thing. It can get very complex very quickly.
Going into SXSW this year I had a list of 23 artists I wanted to see, and given I was at the festival for less time than usual, I knew a list of that size was over reaching. I managed to see about a dozen shows over the three days I was in Austin. Here’s some of the best things I saw. Continue reading →