Mary Lattimore, the Philadelphia harpist, has performed and/or recorded with Sonic Youth’s Thurston Moore, Daughn Gibson, Meg Baird, Tall Firs, Kurt Vile, Nightlands, and many others. (From March 25-31, she’ll be one of the two harpists performing as part of Nick Cave’s HEARD•NY at Grand Central Terminal). And her debut solo album, The Withdrawing Room, will be released in late March by the Desire Path label. Lattimore has recently been performing in duo with Arc In Round’s Jeff Zeigler (electronics/synthesizer), including a gorgeous 34 minute improvisation at one of our recent Folkadephia Sessions. Zeigler makes a few appearances on The Withdrawing Room, and the duo’s next concert is this Thursday at Kung Fu Necktie.
“Just like on the album,” says Lattimore, “when Jeff and I play live, it’s all improvised. I’ve been trying out a starting-point, a basic melody, but it takes different turns and changes into something different each time. I am still experimenting with ways of sustaining, and want to get more pedals to play through. Right now, I just use my Line 6 green looper and by repeating notes really fast through the effects, it can create a sort of wall of glitter where you can’t really hear the attack, which I like. Right now, I’m preferring more of a hazy and dark sound, or a wash of color, rather than a sharp, clear harp, stringy pluck.”
In preparation for Thursday’s show, and her debut album, we asked Lattimore to tell us about some of the things that influenced The Withdrawing Room. Continue reading →