There was always an interesting contrast in singer and songwriter Matt Pond when he lived in Philadelphia. Under the nom-de-stage matt pond PA, he spent the late 90s and early aughts making albums and EPs of touching, beautifully-orchestrated songs awash in cello and meditative acoustic guitar. But he also came up during the Guided by Voices heyday when crowds at Philly clubs were largely indie-bros who binge-drank and talked loudly over everybody, even the people they were ostensibly there to see. Pond had no patience for that shit, and rightfully so. And over time, the guy who wrote these sensitive, personal songs developed a local rep for being something of an angry and aggressive crank – when, really, he was just dishing back the attitude the crowd was giving him.
Those who were there at the time know how the story proceeded. Pond eventually amassed a local fan base that came for him, not for the scene, but he nonetheless left Philly for New York where his career blossomed in ways none of us expected. He got songs placed in TV and film, developed a strong national profile and released Several Arrows Later, a timeless work that is remarkably uncynical and sentimental, considering that it came from somebody who was at that point nearly a decade into a career on the brutal chew-em-up-spit-em-out indie circuit. He remains a prolific writer and recorder, and after a solo LP - The Lives Inside the Lines in Your Hand - he revived the “PA” moniker for a run celebrating the 10th anniversary of Emblems, followed up by this year’s State of Gold.
It’s a beautiful record as only Pond can deliver, and his gig at The Foundry in support of it a couple weeks back – rumored to be the final matt pond PA tour – was equal parts moving and rousing. “So Much Trouble” and “Halloween” were immediate winners off the top, and “Love To Get Used” brought the main set to a tremendous close. The proceedings were also, Pond being Pond, a little cantankerous. Continue reading →