The city of Philadelphia has a very incredibly vibrant music scene and a rich music history that spans genres. But imagine if those two intangible things could become more of a direct resource for the adolescents of the city who are in school and have a passion for creating music. That’s where Aspiring Young Artists steps in.
While most schools can only advocate for more funding so they don’t have to make really hard choices, like cutting out art programs because of lack of funds, AYA cuts out the middle man and connects North Philadelphia students from schools like Youth Build Philadelphia, Kensington CAPA and Olney Charter High School with local artists who teach them how to compose their own music and expose them to the beautiful things that are happening in their hometown’s music scene.
Recently I was able to sit with AYA’s founder Ricky Strickler about how the music programs and the local artists that lead them have made an impact on its students. Continue reading →
Drexel University is heading an exciting initiative to reinvigorate the famous “Philly Groove Records,” an R&B and soul music collection from the renowned Sigma Sounds and Philly Groove Labels that is filled with many unfinished musical works.
Students from the school are taking these unfinished pieces and bringing them back to life by completing and releasing the songs into the public. Continue reading →
Philly hip hop artist Gliss put out a new track yesterday in anticipation for the big release of his High On A Weekday project (which we’ve been hearing about for a couple years now…our fingers and toes are crossed that it drops soon). In the new track “On The Highway,” the artist stays true to his mellow vibes with ebb-and-flow synths, a grooving bassline and the unstoppable flow of Gliss himself, in addition to featured artists Ryda and LV. Continue reading →
San Diego’s Rocket From The Crypt proved they were back from the dead last week, rocking a sweaty, aggressive packed house at Underground Arts. The group disbanded in 2005 after fifteen years and seven guitar-and-horn-fueled punk albums together, including the classic Scream, Dracula, Scream! in 1995. The band was also known for saying that anyone that got a Rocket From The Crypt tattoo would be admitted to any show by the band for free. They reunited under the most bizarre circumstances, due to a children’s TV show. Singer John “Speedo” Reis is a recurring character on Yo Gabba Gabba called “The Swami” and the band reunited to play on an episode in 2011. One thing led to another and the band has since played some dates and a handful of festivals, sticking to their old material while being warmly received by fans that never expected to see them together again.
Timothy Olyphant look-alike Dan Sartain opened, delivering a memorable forty minute rapid fire set of his rumbling rockabilly punk rock. Joined by just a drummer, Sartain sweated and bashed out chords on his battle-worn Silvertone hollowbody guitar. The Ramones influence is obvious in his music and fittingly he kickstarted most songs with a hearty 1-2-3-4 countdown. The crowd seemed very familiar with his material, and sang along frequently. Sartain seemed to really appreciate the crowd’s reaction, and proved he was one of them by showing off an old Rocket From The Crypt tattoo on his upper right arm. Sartain has a new album called Dudesblood due out soon.
After Sartain’s set ended there was a forty five minute wait for Rocket From The Crypt to take the stage, which led to some grumbling in the sell-out crowd. All was forgiven when the band hit the stage and ignited the crowd with a trio of songs from their ‘95 EP The State of Art is on Fire – “Light Me,” “A+ In Arson Class” and “Rid Or Ride.” What followed was an intense twenty-plus song set spanning their career with neither the band nor crowd taking their foot off the gas pedal till the end. The six piece band barely fit on the small stage and the crowd was even packed around the open sides of the stage, giving the show a claustrophobic but exciting vibe. The crowd cheered and smiled throughout, regularly surging forward to get closer to the band. The highlight of the night was a swaggering blitz through the first three songs from Scream, Dracula, Scream! – “Middle,” “Born in ‘69” and “Rope”.that sent the crowd into a sweaty, moshing, roaring frenzy. The band’s performance spoke louder than words, and it said that this is a band that is still powerful and that can have a future to add to their past success. Here’s hoping that they stay together and make more music.