If you haven’t noticed by now, we at The Key are big fans of Pinegrove and Half Waif, two New Jersey bands that share a common denominator in Nandi Rose Plunkett. Both groups find Plunkett as the sole woman, one in a keyboards-backing vocals situation and the other as the founding, writing, and recording frontwoman. In other words, she is a musical force to be reckoned with.
Why, then, in 2017 – especially in an industry that theoretically draws the creatives, the open minds, the dreamers – do we find Plunkett responding to slews of misogynist aggressions against her being simply because that being is female? After originally posting last month on Twitter in response to comments on her part in Pinegrove, Nandi Plunkett has penned an extraordinarily eloquent, insightful, and sharp long-form piece published by Esquire on what it means to be “the girl in the band,” what it feels like to be a woman constantly silenced and disregarded and dismissed as a girl, as a girlfriend, as a pretty face but nothing more. Continue reading →