Nightlands

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Top Of The Key: Can the Spurs Postpone the Heat Dynasty? An NBA Playoff Primer by Dave Hartley

tim-duncan-spurs-nba-lockout

So, you haven’t been paying attention to pro hoops this season? Fear not, I have. Here’s what you need to know:

Lebron James is really good at basketball. If you stopped caring after Michael Jordan retired, here is your reentry point.

Lebron is currently enjoying a level of sustained dominance we’ve only seen from Michael Jordan (if you don’t believe me, check out the advanced metrics), but in a totally different way. His preposterous speed, power and finishing ability gets lots of deserved ink and SportsCenter real estate, but it’s the little things he does that set him apart from his contemporaries like Durant and Carmelo. Check out this pass:

It’s not flashy, but it is deadly. Incredible velocity, impossible to defend. There are maybe a handful of players in the league who can make a pass like that, and none of them have anything close to Lebron’s athleticism and skill set. It’s unfair.

Here’s another one:

And another:

And another:

Other things that make The Heat fascinating:

- Ray Allen: He ditched the Celtics because of a feud with Rajon Rondo, took less money to join the Heatles, is 59 years old and now the all-time leading three point shooter in both regular season and playoff history.

- Chris “Birdman” Anderson: Dennis Rodman-lite, Anderson has the craziest tattoos of any pro athlete and seems to change the vibe of the game the moment he checks in.

- Chris “VelociRaptor” Bosh: One of the homeliest players since Sam Cassell, Bosh is on the short list of legit power forwards who can change a game from beyond the arc along with Durant, Kevin Love and Dirk, and is a perfect superstar-as-role-player.

- Juwan Howard: 63 years old, somehow still getting paid to play basketball, impossibly well groomed.

- Mike Miller: He played with a destroyed lower back in last year’s finals, he’s capable of spurts of incredible play, super gutty. Check this shit out

- “Positionless Basketball” – The Heat are pioneering what they call “positionless basketball”: surrounding Lebron and/or Dwayne with a squad deadly long distance shooters. It spreads the defense wide open and creates a nightmare of mismatches. it’s a Moneyball-esque paradigm shift.

- Shane Battier: He’s hilarious and erudite off the court, as clutch as it gets on the court; the second coming of Robert Horry.

None of this means Miami is going to sleepwalk their way to a second consecutive title. They have vulnerabilities and, like every other team, are an injury or two away from elimination on their best day. But if you love greatness, or love to root against it, here is your muse.

The New York Knicks are relevant for the first time since Patrick Ewing was in short pants.
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Watch Dave Hartley get covered in facepaint in the Nightlands video “Born to Love” (playing Johnny Brenda’s on 5/31)

Screen shot 2013-04-09 at 1.59.14 PMIf you’ve seen the album art for Nightlands‘ new LP Oak Island (or any of its attendant promo photos), you’ll know it involved a shirtless, silver-paint-covered Dave Hartley looking like a homesick extraterrestrial navigating new surroundings. Which may be a metaphor for Hartley the ubiquitous bassist venturing out on his own in an increasingly ambitious solo venture. Or maybe it’s just that the silver paint goes well with his complexion. In any case, we imagine he must have spent a lot of time getting painted – and he’s making it worth his while. In the new video for Nightlands’ “Born to Love,” we see the process of Hartley getting his new skin applied by a makeup artist while flashes of psychedelic light burst in and out over three minutes and change. Cosmic stuff – check it out below, and get more information about Nightlands newly-announced show at Johnny Brenda’s on the XPN Concert Calendar.

Explore Philadelphia with Dave Hartley and BlackBook Magazine

Photo by Dominic Neitz | blackbookmag.com

Dave Hartley is a man of many roles. He’s the versatile bassist who performs regularly with The War on Drugs, and has joined the Lindsey Buckingham Appreciation Society, and Buried Beds on occasion. He’s the sonic mastermind behind Nightlands. He’s the scribe behind Top of The Key. Adding to this ever-growing list, you could now call Hartley a civic and cultural ambassador for the City of Philadelphia. The twelve-year resident recently took the folks at BlackBook Magazine out of Brooklyn and on a tour of Philadelphia, stopping at popular locals Letoah’s Coffee, Miner Street Recording, Loco Pez and more. Add into the mix a collection of stunning portraits by photographer Dominic Neitz and it’s a rich and multi-sensory look at our fair city. (I can almost smell the basil in the Pizza Brain photo.) Get a look at the article here.

Tonight’s Concert Picks: DRGN King at PhilaMOCA, The Great Unknown at Johnny Brenda’s, XPN Welcomes Martin Sexton to The Landis Theater, Nightlands at Arden Gild Hall

Philly’s DRGN King are celebrating the release of Paragraph Nights tonight at PhilaMOCA.  The full-length debut from the psychedelic power pop outfit was released through Bar / None Records on January 22nd and runs the gamut of infectiously good songwriting from the slick “Holy Ghost” to the party-ready “Wild Night.”  More information for the all-ages show with Dangerous Ponies, Walking Shapes and Idle Idols can be found here.  Stream Paragraph Nights here and watch DRGN King’s Dominic Angelella perform a solo, stripped-down version of “Holy Ghost” at Sofar Sounds from last weekend below.

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Nightlands’ Dave Hartley talks tape speed, deconstructs “Nico” with ArtInfo (playing Arden Guild Hall tomorrow)

Photo by Catherine Maloney

A trademark of Dave Hartley’s Nightlands is swirling layers of vocals and psychedelic instrumentation. In an interview with ArtInfo yesterday, Hartley broke down his creative process to reveal how he arrives at his sound: recording take after take, manipulating the speed of his tape machine and other experimental tricks of the trade. To further illustrate, he shared three versions of the song “Nico” from Nightlands’ new Oak Island – the album version, an instrumental version and an a capella version. Listen to them below. Nightlands plays the Arden Guild Hall in Deleware tomorrow night, opening for School of Seven Bells – find tickets and more information on the show at the WXPN Concert Calendar.

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The Week So Far: 12 must-read stories on The Key (incl. Nightlands, Catnaps and Thao)

Nightlands | Photo by Matthew Davis

Prairie Empire stops by to record a Folkadelphia session [link]

Philly’s Nightlands celebrates the release of Oak Island at Kung Fu Necktie [link]

My Morning Jacket’s Jim James streams his new album, announces a Union Transfer show [link]

Philly rockers Free Energy get interviewed by a couple sixth graders [link]

Remembering versatile guitarist Jef Lee Johnson, who passed away at age 54 this week [link]

Indiepop five-piece Catnaps releases a new EP for free downloading [link]

Shoegazers Nothing will make the First Friday crowd wish they packed earplugs [link]

Lancaster folk trio The Stray Birds records a Key Studio Session, comes to World Cafe Live [link]

Philly rapper Chill Moody releases a mini-documentary of his December TLA show [link]

Thao Nguyen plays “We The Common” on a banjo, through a microphone, at a rally [link]

All week the Unlocked series features Almost Endless, the new LP from The National Rifle [link]

Nightlands bring magic harmonies to Kung Fu Necktie (review, setlist, photos)

Standing front and center for Nightlands’ performance Saturday night at Kung Fu Necktie felt like standing in the entranceway of a grand cathedral, a choir’s golden melodies wafting through the air. It was a transportive, although not unexpected experience—when I spoke to front man/creator Dave Hartley about Nightlands’ live show a few weeks back, he told me he would focus mostly on the vocals. “I want to get some people who sing really well, and we’ll just sing together,” he said.

Said “people who sing well” were of Eliza Jones (of Buried Beds) and Jesse Moore (of Auctioneer/Ladies Auxiliary), who together with Hartley added heart and corporeality to songs which on record, twinkle with space-age mystery—while drummer Michael Johnson’s (Ape School) beats added velocity and momentum. Continue reading