Every music lover has stories about live shows they’ll never forget. Think about it. Maybe you went to a house show in west Philly that altered your worldview forever, or experienced a riveting performance from a then-unknown band who’ve since blown up, or perhaps you took your now-spouse to a show and held their hand and kissed them for the first time during what is now “your song.” Your memories of not just that show, but that entire day, are likely still quite vivid. You remember what you were wearing, what your date was wearing, what you ate, what the weather was like, the smells, the sounds, all of it is carved onto your brain like crudely drawn initials onto tree bark because these experiences are so rare and so affecting. I had a similar experience Saturday night at Painted Bride Art Center in Old City, where a ragtag group of creatures from diverse backgrounds formed a common bond in the name of music…and treats. Continue reading →
The baritone is often treated as the red-headed stepchild of the saxophone family. It’s often viewed as a bulky, unwieldy instrument, good only for anchoring the sax section in a big band where its honking bleats can be kept under control. A few great bari players have emerged over the course of the history of jazz, but even the best known – Gerry Mulligan, Pepper Adams, Cecil Payne, Hamiet Bluiett – have failed to approach the iconic status of their smaller horn counterparts like Charlie Parker and John Coltrane. Continue reading →
“To me, this is a story about the greatest LGBT city in the U.S. and the greatest jazz city in the U.S.,” said Chris Bartlett, director of the William Way Community Center, at City Hall this afternoon. “This is the bringing tighter of those two traditions.”
Bartlett is talking about OutBeat, a just-announced music festival slated to take place in Philly this September, celebrating jazz made by lesbian, gay, bisexual and transgender performers. Beginning on September 18th and running through September 21st at Union Transfer, the Painted Bride Art Center, the Philadelphia Museum of Art the festival will mix concerts with public discussions and other activities.
Bartlett said the festival will make a strong effort to tie the history of LGBT influence in jazz to work by presently active musicians. “When I listen to Billy Strayhorn’s ‘Lush Life,’ I know I’m hearing something powerful about his gay experience,” Bartlett said.
Homer Jackson of the Philadelphia Jazz Project said his group will have a Strayhorn celebration as part of the festival; he is one of OutBeat’s co-curators, along with the William Way center and Ars Nova Workshop.
Jackson drew a parallel between the festival and Thelonious Monk’s “Round Midnight,” which he called “one of the greatest jazz compositions of all time.”
“We all know what that song’s about,” said Jackson. “The history of jazz music is not all pretty, it’s not all clean. Midnight is the time that the ‘nice folks’ are at home in bed, unless it’s a Friday or a Saturday. But jazz lives seven days a week, and it’s always lived in a place where all are welcome, all are allowed to celebrate and be themselves. That’s happened in city after city across the United States.”
Mark Christman of Ars Nova Workshop said OutBeat will feature a dozen performers, four of which were announced today. Six time Grammy nominated pianist Fred Hersch will perform with his trio; Blue Note Records artist Patricia Barber and her quartet will also be on the bill, as well as drummer Bill Stewart, who has played with Pat Metheny, Pat Martino, John Scofield and others. Rounding out the initial announcement is an artist Christman called a “living legend,” Andy Bey, cited as John Coltraine’s favorite vocalist. Tickets to the festival go one sale in June.
Bartless said that while LGBT artists were once denigrated in the jazz community, “there’s a new spirit of openness” and the festival’s name was an acknowledgement of that and to their influence, as well as a reminder that there’s still a ways to go.
“Even now, acknowledging LGBT voices seems uncomfortable, different, outside the box,” Christman said. With OutBeat opening the discussion, he hopes that it will come to seem less uncommon.