Pattern is Movement started out as a Christian rap group. You heard it here first.
Well, that’s not completely true. But understanding this side of keyboardist/singer/composer Andrew Thiboldeaux’s and drummer/producer Chris Ward’s experience, rooted in strict Pentacostal practice (the same faith in which Marvin Gaye and D’Angelo nurtured their prodigal musicianship), might explain a lot. It certainly makes the eccentricity inherent to Pattern is Movement’s music – occasionally frantic, layered with intense stimuli and popping with vibrancy at every beat – a little easier to understand. Far more importantly, it allows us to understand the motivation behind what they have tried to do with their new self-titled album. The band celebrate the release of their album tonight at Boot & Saddle.
“Andrew and I started making Christian rap when we were 14, and we were in a Christian rock group when we were teenagers. We were so connected to music that…I think for me, as a 35-year-old musician who’s been doing it for 20 years with this guy, I wanted to go back to the roots of my childhood and figure out why I loved music so hard when I was a kid,” explains Ward over a crackling phone line. He and Thiboldeaux have just pulled into Austin, right on the cusp of an extremely ambitious South By Southwest schedule, but that’s not quite where he’s at mentally. “Rather than running away from that past experience – which was very painful and traumatic – I tried to embrace it and see what about it was positive. One of the things it gave me was this intimate musical relationship with this guy, and I hear a wonderful conversation between the two of us in this record,”
Through these artists’ eyes, the message behind the record becomes clearer and clearer. Past the surface-level complexity is a strong communicative purpose that has been the hallmark of all great music; that said, when Pattern is Movement’s history is looked at under the microscope, their gravitation towards RnB makes perfect sense. RnB as we know it is born of desire to bring the pulpit to the concert hall, to equate ecclesiastical power in a non-sacred setting, to find God in human passion. The genre’s greatest luminaries, folks like Marvin and D, all grew up and became artists in church. The power of music to bring people together in the service of something omniscient and massive is certainly not lost on Ward or Thiboldeaux.
“Chris and I like church, but we’re not so interested in Jesus, so we like the emotion and ecstasy of RnB music,” explains Andrew.
“I started challenging my beliefs and thought that all the stuff I saw – the speaking in tongues, the emotions that I had in service – that all of that was false. And as I got older, I started realizing the opposite. Like, yeah, maybe there is no God, maybe all the stuff they were telling me was bulls***. But the feelings I had in those church meetings were TRUE. My brain was registering it, I was high as a kite. There’s something about RnB and hip-hop that resonates with me as a result,” adds Ward.
This desire to create something ecclesiastically powerful is one of a few missions that guided the new record, but those implications resonate throughout the other circumstances that brought the record about in this form. In the six years between this record and 2008’s All Together, Ward went through a difficult divorce and picked up a full-time job doing bookings at Johnny Brenda’s that he still maintains. These events, mixed with a strong urge to get away from the record-tour-repeat cycle that made their previous albums feel stagnant to them, precipitated a need to step back and re-evaluate. Even though they started tracking songs in 2009, they ended up scrapping a whole mix by 2011, re-recording into 2012 (tracking separately, for the first time in any of their records), and spending 2013 getting things prepared to be played live. They essentially made a record in the way most bands don’t anymore, and they’re fully aware of the sea changes that have happened in the broader world during this time – changes that they, as an indie group authentically embracing RnB and hip-hop, are better prepared than ever to handle.
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