Pete Donnelly

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Tonight’s Concert Picks: Stornoway with Field Report at Kung Fu Necktie, A Benefit Concert for Lentil with Tommy Conwell and more at The Blockley, West Philadelphia Orchestra at Underground Arts

Stornoway

Oxfordian Oxonian folk / pop group Stornoway headline Kung Fu Necktie tonight.  Following up their 2010 debut Beachcomber’s Windowsill, the academically-minded quartet (led by an ornithologist) released Tales from Terra Firma earlier this month.  Field Report continue to tour in support of last year’s self-titled debut.  Tickets and information for tonight’s 21+ show can be found here.  Watch Stornoway’s video for “Knock Me On the Head” below.

Several local musicians come together at The Blockley tonight for a concert benefiting Lentil Fest.  Tommy Conwell, Pete Donnelly, Ben Arnold and Travel Lanes will perform sets in support of Lentil the French bulldog, who was born with a cleft palate.  All proceeds will be donated to a variety of charities including the French Bulldog Rescue Network and the Children’s Craniofacial Association.  Tickets and information can be found here.  Below, watch Pete Donnelly’s video for “Can’t Talk At All.”

West Philadelphia Orchestra brings their monthly Balkan dance party back to Underground Arts tonight.  As a collective of Philadelphia musicians, WPO blends traditional Eastern European influences withe modern jazz and classical sensibilities.  Tickets and more information for tonight’s 21+ show with Johnny Showcase and the Lefty Lucy Cabaret can be found here or on the Facebook event page here.  Watch West Philadelphia Orchestra perform “Burkan Cocek” below.

 

The 12 Days of Local Christmas: Download “Merry Xmas This Year” by Pete Donnelly

WXPN’s Twelve Days of Local Christmas continues today with the song “Merry Xmas This Year” by singer-songwriter, producer, member of the Figgs and NRBQ Pete Donnelly. After several years in the making, Donnelly released his debut album, When You Come Home, last year to excellent reviews and support from WXPN. In February Donnelly heads to Japan to tour with Jim Boggia, but not before playing his own solo show at the Burlap and Bean in Newtown Square on January 25th. The 12 Days of Local Christmas compilation is curated by XPN mid-day host Helen Leicht and the songs will be played daily during My Morning Download on the Morning Show with Michaela Majoun and on Helen’s local pick of the day. You can download the entire Twelve Days of Local Christmas compilation here. Download “Merry Xmas This Year” from Pete below.

Three days of celebration at MilkBoy Philly begin tonight

In 1999, a partnership began between Jamie Lokoff and Tommy Joyner, and the result was the MilkBoy empire we know today. Starting out above Zapf’s Music off of Roosevelt Bouelvard, the two joined forces to take Joyner’s MilkBoy Recording Studio to the next level. After two years at the North Philadelphia location, Lokoff and Joyner chose to move the studio to a space in Ardmore, where it resided for just over ten years until moving to its current location – 7th and Callowhill, the same building as the Electric Factory. Before the studio was even moved, they chose to expand their brand, create something more out of MilkBoy, something that everyone could enjoy. I got to chat with Tommy and Jamie about how they went from just a recording to studio to a full out bar, venue, coffee shop combo and their upcoming MilkBoy Philly anniversary shows.

Photo by Tony Wood

The Key: How did you go about expanding the recording studio to become a venue and a coffee shop?

Tommy Joyner: We were approached by people in the town and became very involved in Ardmore. I was on the Board of the Ardmore Business Association, and Jamie on the Board of Ardmore Initiative. The coffee shop/music venue was opened in February 2006 followed by the Bryn Mawr location in 2007, which no longer exists. Then just over a year ago, the folks who owned the property in Center City contacted us. We were looking to get into Philly so it was really perfect timing.

TK: What is the difference between MilkBoy Coffee and MilkBoy Philly?

TJ: MilkBoy Philly is a bar and a rock club. It’s larger, and we’re able to do louder shows because the PA is robust, to say the least. The stage is bigger, and you’re more likely to see a national act perform at MilkBoy Philly. We have to be choosy about doing all-ages shows there, whereas MilkBoy Coffee is smaller, more for acoustic-oriented acts, and always all-ages and BYOB. They are both booked really well to showcase the best talent, but they feel really different from each other. Continue reading

Get to know local artist Pete Donnelly (playing World Cafe Live tonight)

Between touring with three bands and raising a family, Pete Donnelly has a lot on his plate. But the Philly-based singer-songwriter is also working on his second solo record, a new NRBQ record, an anthology for The Figgs, and has been recording and producing for other artists. Donnelly took time out of his busy schedule before his show tonight at World Cafe Live with The Chandler Travis Three-o to answer a few questions for The Key.

Donnelly grew up in a musical family. When asked how he got into playing music, he explained that his mother bought herself a piano when he was six years old and then his older brothers started coming home with guitars and drums. “It was all I wanted to do; I can’t really say why. Being the youngest, I probably wanted to be a part of what was going on with the older kids, but as soon as that piano came I was making stuff up.” Finally, at 13, his parents got him a bass and he’s been playing music ever since. Continue reading

Recap: Pete Donnelly’s Free At Noon performance at World Cafe Live

Photo by Melody Chiang

It’s hard to imagine what the Philadelphia pop scene would sound like without Pete Donnelly. Donnelly plays bass for NRBQ, writes and plays for The Figgs, and frequently produces local Philadelphia artists such as G. Love And Special Sauce. Now, after over 10 years of staying (for the most part) out of the spotlight, Donnelly has recorded a solo album, When You Come Home. Both the album and his live performance capture the ease and confidence that Donnelly brings to the genre. His lyrics are simple and classic, with lines like “your legs crossed, touching mine/ something simple never felt so fine.” His compositions are clean and feature just enough saxophone to jazz them up without diluting the pop.

Yet, When You Come Home can sound, at times, a bit formulaic. After the first 10 or so tracks, the love songs begin to shift from classic to cliché. Even some of the older material Donnelly played today—songs that were originally written for The Figgs and NRBQ—fit into his theme. His topics include, but are not limited to, the moment when you realize that you love someone (“Something Happened”), the frustration of wanting to be in the same place as your lover (“I Won’t Go to Miami”), the desire to fall in love (“I’m Satisfied”), and the joy of simply being in love (“When You Come Home”). When You Come Home is the kind of album that would make a good Valentine’s Day present (there’s a track for every kind of relationship), but doesn’t stand out as particularly ground-breaking or even heartfelt. To be fair, pop is rarely a purveyor raw, intense emotion, and Donnelly doesn’t pretend that his is.

But then, out of nowhere, there’s “Far Away Angel,” a song that Donnelly wrote for his 14-year-old daughter. It’s hardly surprising that Donnelly can do the hapless, hopeless romantic bit well, but “Far Away Angel,” was an unexpectedly tender and genuine moment in the set, as it is on the album. Tucked toward the end of the track list and saved for the end of his Free At Noon performance, “Far Away Angel” deals in an intense and unrelenting love that Donnelly understands—the love that a father has for his daughter. He sings about his darkest moments and the courage that his daughter gives him in those times. “Far Away Angel” is Donnelly, the writer, the musician and the producer, at his best. During an instrumental break in the song, Donnelly subtly built up the bridge, picking away at a persistent, repetitive guitar hook against graceful, drawn out notes from the saxophone. Even his voice took on a different quality of intensity. In that moment, Donnelly reminded us all that while he can craft a pop album, as we’ve come to expect him to, he can also create serious art.  –Naomi Shavin

Set List:

1. The Only One
2. Something Happened
3. I Won’t Go To Miami
4. I’m Satisfied
5. Can’t Talk At All
6. Break Through Silence
7. Far Away Angel
8. When You Come Home

Photo Recap: Pete Donnelly’s Free At Noon performance at World Cafe Live