With their new EP Holding On, Holding Out on the way this October, Tall Heights is gearing up for a performance at the Philly Folk Fest next month. The duo just released a new live video for its song “Spirit Cold,” shot at the Shalin Liu Performance Center in Rockport, Massachussets, and is performed by founding duo Tim Harrington and Paul Wright. The song boasts a stand out cello line by Wright that is the centerfold of the single, allowing his and Harrington’s vocal harmonies to fall into place perfectly. It’s a great song made better by this performance; check out “Spirit Cold” and get more information on their appearance at Folk Fest at the XPN Concert Calendar. Continue reading →
On the heels of the announcement that Lyle Lovett and his Large Band will be headlining Saturday night, August 15th at the Philly Folk Festival, more bands have been added to the lineup. Continue reading →
This is probably the goofiest and most entertaining thing I’ve seen all week. At last weekend’s Philadelphia Folk Fest, Kathy O’Connell was invited onstage during the Kids’ Corner showcase performance of Marcie Marxer and Cathy Fink. What seemed like O’Connell being congratulated on 25 years of hosting Kids’ Corner on XPN took an interesting turn when Marxer placed a giant washboard around her neck. Not one to be frightened off by a decked-out laundry appliance, O’Connell began to jam right along with the duo. If you missed it at the Folk Fest, or you wanna see it again, you can watch the video by Steve Ramm below.
The Philadelphia Folk Fest just announced some huge additions to their already awesome lineup this August!
Local classic rock veteran and producer Todd Rundgren joins the lineup, after finishing a tour with Ringo Starr & His All Starr Band earlier this year. He also released a new album, State, this April. Here’s an old goodie by Rundgren.
Another Philly local, David Bromberg, has been added to the bill. He’s known for both his solo material and work with artists from Willie Nelson to Jerry Garcia. Check out this recent Bob Dylan cover Bromberg did at a radio session.
Texas-based country heavyweights Asleep at the Wheel will also play at the festival. They’ve been around for decades and are currently on tour across the U.S. Reminisce with a performance of arguably their most famous song, “The Letter that Johnny Walker Read.”
The Philadelphia Folk Fest happens August 16th through August 18th at Old Pool Farm in Schwenksville; tickets and information can be found here.
The Philly Folk Parade took over the World Cafe Live stage earlier this afternoon for a special edition of XPN’s Free At Noon concert series. The lineup featured four groups from the local folk music collective, including The Great Unknown, Chris Kasper, Hezekiah Jones, and The Spinning Leaves. Though the artists were technically slated to perform just two songs apiece, members from each group joined one another throughout the entire show, keeping the stage alive and packed with up to 15 performers at once.
Alt-folk quartet The Great Unknown opened the show, backed by at least eight other members of the Philly Folk Parade. A prevailing first impression was simply how young and happy the assemblage was, and their energy was instantly felt throughout the room. They featured resonant electric violin and guitar on their second song, “We’ve Got Secrets,” which also included harmonies from all 12 musicians on stage.
Next up was Chris Kasper and his band. After an endearing opening song in which Kasper and fiddler Kiley Ryan harmonized “ooohs” and “aaahs,” the group fell into a serious folk groove for “Baltimore Street.” Members of the band remained on stage as they were joined by the next act, recent Shaking Through artist Hezekiah Jones. The stage was again filled, with even more members now playing harmonica, upright bass, and electric lap steel guitar. Their song “Cannonball” was a slower tune, held together tightly by incredible harmonica and electric guitar and fiddle solos.
Philly Folk Parade co-founders The Spinning Leaves were the last to perform, and by this time the stage was completely full of people singing and dancing. They began their set by leading the eager crowd in claps and stomps, and their positive energy was again infectious. The combination of their modern folk harmonies with traditional harmonica and electric guitar was unexpected and rich. All four groups from The Philly Folk Parade were a joy to watch. As long as these artists are around, there should be no doubt that folk music is alive and well in Philadelphia. —Claire Fishkow