There is nothing more summery than a jam band. Even if you aren’t a religious follower (aka Phish fan) you can still go to a show and appreciate the freeing sensation a jam band’s music gives you. With the Phish shows just wrapping and Cheers Elephant, Umphrey’s McGee and Disco Biscuits performances in the future, we are excited to introduce you to a new jam band, Somewhere South.
Hailing from Philly, Somewhere South creates dynamic music that combines elements like horns, bass guitar, dual male and females vocals, as well as lyrics in both English and Spanish. Their self-titled EP, includes folk, funk, and even a little bit of country twang. Each track is different from the next, but maintains a melodic consistency that makes the young band’s work sound extremely mature. The first track “Alright” is one of their slower tracks, but sets the precedent for the rest of the EP. It’s instantly calming in nature, and meshes well with breezy, summer weather and attitudes. The song is all about simplicity and trying to live in the moment, as they sing “Keep it simple, keep it true, keep it simple, keep it you.”
The band has been playing all around Philly, and will play next at Ardmore Music Hall on August 2nd, which will no doubt be an incredible fun experience. Listen to their Somewhere South below.
Now another video has surfaced, this time from the Phish camp itself. Below, watch – in all its uber super quality – the entire 16 minute and 57 second version of “Chalk Dust Torture,” performed on Wednesday night.
Phish took Philly by storm (literally) this past Tuesday and Wednesday night at The Mann Center. Over the course of the two nights the band played some covers and some rarities. Below, watch them perform the Talking Heads’ “Crosseyed and Painless,” and “McGrupp & The Watchful Hosemasters” from the Wednesday night show. “McGrupp” has quite the storied past. You can the history of the song here. Read our review and check out our photos from the show here
I had heard talk about the insanity of Phish shows since I first began attending concerts. Phish had always been described to me as the best jam band experience since the Grateful Dead, and when I found out that it was going to rain on the first of two sold out Mann Center shows, I knew I was in for a truly unique and memorable first jam band experience.
Parking for the show opened at 9 AM, and by the time I arrived at the Mann, there were tailgaters as far as the eye could see, from the entrance to the picnic areas half a mile away. The night for me began as normal: file in with all the other photographers, socialize for a bit, head to the photo pit. The combination and temperature of the under-cover part of The Mann were unbearable to me, but it didn’t phase the Phish phans for one second, as they passed around and shared water entirely liberally with their fellow concert-goers. One by one as time went on, gargantuan beach balls blew up and made their way all the way down from the lawn to the pit and then back up again. After the beach balls came balloons, glow sticks, and light up balls flying all across the audience.
After about twenty minutes, a booming voice erupted over the monitors, warning terrace and lawn ticket holders that a storm involving hail, powerful gusts of wind, and frequent lightning strikes was converging on The Mann, and the voice advised the ticket holders return to their cars until further notice. However, given that they were at a Phish concert, the phans erupted in cheers at the news of bad weather, entirely ignored the voice over the monitors, and quickly returned to their jovial glow stick throwing state. About ten minutes later, the voice came on again, warning that the storm would arrive in fifteen minutes and it would take approximately that long for phans to get to their cars. Once more, no one seemed to budge. Fifteen minutes later, myself and the other photographers felt mist descending on the pit. Seconds after, we heard screams, and we turned around to find the lawn almost vacant as nearly every phan scattered to find the closest available source of cover, aside from the few ingenious souls who brought bathing suits, ponchos and towels to the gig. After about five minutes of waiting out the storm, the unthinkable happened: The Mann’s main power suddenly shut off, and fourteen thousand people who were previously very happy suddenly were not. We waited for about ten minutes with no update from Phish’s Twitter or Facebook, backup power came back on and cheers erupted from the phans under cover. After more beach ball tossing, the lawn crowd was finally cleared to return and the show got underway around 9:10 PM. After an experience like this, I realized how special the Phish experience was, especially to the phans. At any other outdoor show, fans might have been deterred by the idea of rain or worse. But the Phish phans prevailed through every single obstacle, as nothing was going to drive them away from another night with their jam band heroes.
The actual Phish experience was a similar vein of incredible; from the very first downbeat of the upbeat “Axilla”, every phan was moving and grooving, from the pit to the lawn. The members of Phish themselves weren’t entirely memorable in regard to their stage presence, but that isn’t why people go to Phish shows. Phish’s true strength lies in improvisation and hours upon hours of incessant feel-good grooves. People largely don’t attend Phish shows to idolize band members or sing along to hit choruses; they come to jam, to dance, to be with other phans, and to simply enjoy life. In this regard, Phish undoubtedly delivered, bringing over three hours of pure danceable jams to a loving audience which lapped every jam up. As I explored the crowd after my fifteen minutes in the pit, I found crowds of people mobbing the orchestra aisles dancing as if nothing in the world mattered. I climbed the stairs to the lawn and found many people dancing on the hills by themselves who claimed to have been dancing the entire night, some even before the show started. The crowd, even at the furthest point from the stage, cheered at the end of every guitar and organ solo, and the rowdiness in the pit escalated consistently from the beginning to the end of each set. Jams like the 25:58 long “Fuego” (title track of their new album) and “Walls Of The Cave” were enjoyed unanimously, and highlights for me included “555″ and “Tweezer”.
I expected to have an incredible (but traditional) concert experience from seeing Phish live. Instead, I got a peek into one of the most spectacular feats of jam music I have witnessed, and into the lives of some of the most dedicated, loving fans of any band I’ve ever seen. Below the gallery, check out the set list.
Set list, July 8th – The Mann Center
Halfway to the Moon
Walls of the Cave
Backwards Down the Number Line
2001: A Space Odyssey (Deodato cover)
Phish return to Philly tomorrow and Wednesday night for two sold-out shows at The Mann Center. We polled one of the most obsessive Phish fans we know and asked him what five songs he was hoping the band would play. Here they are:
Phish release their new album, Fuego, next Tuesday, June 24th, but you can listen to the album in its entirety here.
Writing about the album on NPR Music, Michael Katzif says:
Whether you know its work or just its reputation, you’ve probably already made up your mind about . Maybe you love the band and its music, maybe you can’t stand them, or maybe you liked them and have since moved on to other things. Phish is one of the most dynamic and celebrated live acts in all of music, with a loyal community any artist would envy, but it’s also divisive. This is a band that inspires passion with its multi-part compositions, meandering improvisations, playful (often nonsensical) lyrics and unwavering positivity. For the same reasons, it also courts punchlines from its fervent detractors.
Still, any band 30-plus years into a career of remarkable successes and struggles, not to mention a “hiatus” and a “breakup,” is unlikely to change many minds with its 12th album. Yet here we are: Phish’s first studio record in five years, Fuego, is the Vermont band’s finest work in more than a decade — since at least 1996′s Billy Breathes or 1998′s The Story of the Ghost.
Phish play two solo out shows in Philly on Tuesday, July 8th and Wednesday, July 9th, at the Mann Center. On Monday, July 7th, from 8-10PM on WXPN, Brian Seltzer will host a two hour all-Phish radio special.
Last week the Vermont rock band Phish released a dreamy, acoustic guitar flavored, mid-tempo ballad, “Waiting All Night,” from their forthcoming new studio album, Fuego, out on June 24th. It’s the band’s 12th studio album, their first in five years, and was produced by the legendary Bob Ezrin. Phish treated fans to material from their new album during their Atlantic City Halloween show on October 31, 2013. With the album billed as Wingsuit for the show, they debuted many songs from the now titled Fuego.
The band will also be on tour this Summer; their two Philly dates at The Mann are sold out. Listen to the song below.
It’s time for Phish fans to rejoice. The Vermont jam band just released a dreamy, acoustic guitar flavored, mid-tempo ballad, “Waiting All Night,” from their forthcoming new studio album, Fuego, out on June 24th. It’s the band’s 12th studio album, their first in five years, and was produced by the legendary Bob Ezrin. The band will also be on tour this Summer; their two Philly dates at The Mann are sold out. Listen to the song below.
Phish have announced their summer tour plans with two shows in Philly. After they wrap up their three shows in Saratoga Springs over the July 4th weekend, the party continues in Fairmount Park when they play the Mann Center on Tuesday, July 8th and Wednesday, July 9th. Tickets go on sale March 27th at 10 AM. Below, watch them perform a cover of Talking Heads’ “Cities” from their 2009 show at the Wachovia Center.
Phish bassist Mike Gordon announced the release date for his fourth solo album, Overstep, and a spring tour that includes a stop at Union Transfer. With it came the album’s first single, “Ether,” a loose and cerebral piece that starts sort of dark, with icy guitar picking, but builds. As the rest of the band comes in, the slow-stepping tune murmurs around thumping bass before getting a little brighter at the chorus. It continues through many movements, stopping and starting throughout the six minute song that explores a range of dynamics.
“Ether” shows a slightly more serious side of Gordon, but still manages to keep his tongue-in-cheek charm around the 5:20 mark when he squeals, “Little boy won’t you come back home,” in the voice of what’s supposed to be his mother. According to Gordon’s website, Overstep is the first time he’s given someone else full producer role to work on the album with him, rather than Gordon producing the album himself. And it shows on “Ether” that producer, Paul Q. Kolderie (Radiohead, Pixies), has had some influence on Overstep. This song’s much more structured and thought-out than some of Gordon’s prior work – such as what’s found on 2008’s The Green Sparrow. It’ll be the first solo album he’s released since 2010’s Moss. For more Mike Gordon humor, check out his 2014 tour announcement video below.