Philly punks Pissed Jeans have been perfecting the art of sardonicism for years now, and so far, they’ve shown no signs of slowing down. From the ridiculous music videos to the wild live shows, their sneering, cynical approach to rock & roll has always set them apart from their Sub Pop label mates. It’s even reflected in their new press photos, which feature the band taking up about 5% of a glorified shot of the Kurt Vile mural. They’re currently gearing up for the release of their fifth album Why Love Now, and in preparation, they’ve shared its first single. Continue reading →
Pissed Jeans will take a break from their overseas travels to play a show at Underground Arts on June 25th. The stalwart Allentown / Philly punk band announced at the end of 2015 that they would be recording a new album this year, following-up 2013’s Honeys LP with “post-adult themes and pre-metal riffs with even less regard for interesting time signatures.”
On Friday night, Pissed Jeans bombarded the Ardmore Music Hall with their cataclysmic sound as part of their recent escapade with Tired Hands Brewing Company. The brewery recently teamed up with the snazzy Ardmore venue to host shows, and the gritty Philadelphia punk band was the first to be invited to perform and craft a unique beer with the enthusiastic brewing team. The brew, named “People Person,” contained juicy tastes of honey, smoke, and wheat, and was delightful to drink while watching some in-your-face live music. Continue reading →
This Friday, Philly-via-Allentown punk band Pissed Jeans plays the Ardmore Music Hall to celebrate “People Person,” a collaborative pale ale brewed with Tired Hands Brewing Company and named after the leading track from their clamorous Sub-Pop debut, Hope For Men. Tired Hands co-founder/brewer Jean Broillet and the brewing team, who share an affinity for noise punk, worked with band members to brew the hoppy, sessionable ale that is crafted for drinking at a Pissed Jeans show. Continue reading →
We last heard from Philly noise-punk four-piece Pissed Jeans last summer when their self-released debut Shallow got a reissue on their label, Sub Pop Records. Before that, their last record of new material was the awesomely hard-hitting Honeys, released in 2013, meaning we’re probably due for a new round of ragers from these dudes. Hopefully tonight’s headlining show at Johnny Brenda’s will bring with it some new material; tickets and more information can be found at the XPN Concert Calendar. Continue reading →
Both punk rock and professional wrestling have their hardcore sects, but rarely do the two cross paths. Enter UltraMantis Black, a mainstay of the Easton-based Chikara Pro independent wrestling promotion, who can now add punk frontman to his list of accomplishments. Earlier this month, the masked UltraMantis teamed up with members of Pissed Jeans to release his debut EP, and will celebrate the release at Voltage Lounge on Thursday as part of Relapse Records’ This Is Hardcore Afterparty. The leader of the Spectral Envoy discussed his efforts in the squared circle and on the stage from his home base in the mysterious, storied Parts Unknown.
The Key: How did you move from pro wrestling to punk rock?
UltraMantis Black: I’d been doing music prior to my professional wrestling career, but decided in the past year or two that I wanted to bring that part of UltraMantis Black out. Some of the members of Pissed Jeans approached me about doing something a few years ago and I was a bit hesitant at first because I was concentrating on professional wrestling at the time and didn’t really see a way to balance the two. Now I’ve found a way to bring them together.
TK: How do the two relate in your mind?
UMB: I think they’re very similar. Punk rock and professional wrestling have more in common than most people might think. Both the communities and fanbases involved in each are niche audiences. I feel like performing in front of a crowd onstage or within a
wrestling ring, you’re trying to entertain, trying to convey a message, trying to display your art form, so I see them both coming together in that way.
TK: Who is UltraMantis Black?
UMB: Ultramantis Black is known as the Mayor of Parts Unknown, a part-human, part-insectoid overlord of professional wrestling. A little bit of evil, a little bit of deviousness, but at the same time bringing a little consciousness back to professional wrestling.
TK: Does the character put forward the same message in both arenas?
UMB: I think so. I’ve always tried to bring something different to professional wrestling, something that probably wasn’t always there. I speak my mind, I speak what I feel will open other people’s eyes to my own personal beliefs and philosophies and they way I look at life, and that’s probably unorthodox in professional wrestling but I think it’s worked. I’ve developed a fan base in wrestling that’s not the typical professional wrestling crowd, and with the band I wanted to bring social and political aspects of punk rock back to hardcore, where I think it’s been lacking in recent years.
Randy Randall was caught up in how good he and Sean McGuinness were feeling about starting their new project, Rat Fist, to the point that while laying the music, they’d looked past a crucial part: vocals.
“Sean and I were driving back to recording one day and we were saying, ‘Well, now all we have left to do is the vocals,’” Randall says. “So I asked him, ‘Do you want to sing?’ and he’s like, ‘No, do you want to sing?’ And then we’re both like, ‘Uh… well, let’s both do it. We can both give it a shot.’”
It’s the first time Randall and McGuinness – best known for being the guitarist in No Age and drummer in Pissed Jeans, respectively – are singing in a band, so it’s taken a little bit of adjusting. They’re splitting lyric writing roles too, another first for them both. And the lines on “Disrupt yr DNA,” “You smile and burp while your insides are rotting/ The stench of your decay is… offensive,” are Randall’s doing.
“But it’s an equal collaboration,” he says. “He came up with some songs, I came up some songs. That song, ‘Disrupt Yr DNA,’ I’m singing on that one and I’m not really a trained singer but it has a punk feel to it so whatever. It doesn’t really matter too much what sounds my mouth makes when I open my mouth.”
Even singing and playing guitar simultaneously is something new for Randall. He says that since his bandmate Dean Spunt writes the lyrics and sings in their experimental punk-leaning two-piece No Age, he generally refrains from it entirely. So the prospect of taking his song, “Disrupt yr DNA” out on the road is exciting. Continue reading →
Philly punks Restorations will play tonight at Boot & Saddle. The five-piece will likely play some tunes off of its latest album, LP2, released last April, but according to the band’s Facebook page, they have some new songs in store for the audience. The Holy Mess and Dogs on Acid are also on the bill. The 21+ show will start at 8:30 p.m.; tickets cost $12 and can be purchased here.