Philadelphia via Baltimore hiphop artist Spank Rock (aka Naeem Juwan) will be playing Underground Arts this Saturday. Last year, Spank Rock teamed up with longtime collaborator Amanda Black for their club track “We Can Go All Night”. He also played alongside the Walkmen, Sun Ra Arkestra and Sharon Van Etten at the Rail Park Benefit at Union Transfer. He recently released another single, “Gully” which promptly got remixed by Brodinski. In addition he made a mixtape for Jump Philly with DJ Sylo. Listen to the remix of “Gully” below. Get more details about the show at the XPN Concert Calendar.
Plow United has some pretty exciting news for east coast fans.
Earlier this week, the seminal locally-bred punks announced they’d play two shows in July, the same month they’re releasing two records. The first show will be at Asbury Lanes on July 18th, but the one we’re most excited about will be on July 19th at Boot & Saddle.
The band released its first album in 16 years, Marching Band, last March. Loaded with heavy bass lines, gritty vocals and thrashy drums, the 12-song LP saw the three-piece picking right up where its left up in the late 90s. Along with the shows, Plow announced that it would re-release its first-self-titled LP and put out a new 4-song 7″ called DELCO. Both drop on July 10th.
Join ‘em at Boot & Saddle during the dog days of summer with openers The Scandals and Chumped. The show starts at 8 p.m. and the $12 tickets can be purchased here. Below, watch their cover of “Burn Up” by Siouxie and the Banshees from their 2013 Key Studio Session.
Local musician / producer Khari Mateen tossed in a cover of George Gershwin’s “Summertime” to celebrate the season. Mateen gives the Porgy & Bess aria a funky make-over with staccato string parts and chunky beats. Fun fact – the lyrics to “Summertime” were written by DuBose Heyward, a relative of local singer-songwriter Heyward Howkins. Stream and download the cover below.
Two Folkadelphia Sessions this week – first up, an endearing acoustic performance by Laura Stevenson, followed by a rocking & rolling set from Brooklyn’s Plates of Cake. The spectrum of music represented by these two sessions is Folkadelphia’s mission in action, i.e. presenting a braod definition of what it means to be “folk music.” Stream and download two tracks below and dig in to the rest here.
For Philadelphians who grew up on the DIY punk rock scene of the mid-90s – and many more the country around – Plow United was everything. You could lose yourself thrashing at a basement show to minute-and-a-half songs like “Spindle” or “World According to Me,” or by simply sitting down and listening to singer-guitarist Brian McGee’s introspective, dare-I-say philosophical lyrics. Maybe you heard yourself reflected when he sang “I wanna cry, I wanna scream, I don’t wanna do anything”; maybe you were a way-enthusiastic listener (and Plow fans are nothing if not loyal) who drove from record store to record store around the Delaware Valley until you found a copy of that split 7″ they did with Throttle Jockey. Or maybe, like me, you came to them after the fact, discovering them in college a few years after their 1998 breakup (fun fact: bassist Joel Tannenbaum and I are both Temple News alums) and working your way through their catalog in reverse.
There are many entry points into Plow, and with their reemergence on the music scene – with a tremendous appearance at Riot Fest Philly in 2011, and the subsequent recording and release of this year’s excellent Marching Band – they prove to be as vital as ever. They are still high-energy, intense performers (watch Sean Rule destroy his drums in the videos below), and not only is the new material stronger than any other first-album-in-fifteen-years, it downright holds up to the band’s output of yore. Below, we present this week’s Key Studio Session with Plow United – their second appearance in the series, and their first as a full-band – recorded on location at Studio A in South Philadelphia. Stream and download live performances of three songs from Marching Band, watch a video of them covering “Burn-Up” by Siouxie and the Banshees, and check out the bonus video of “Coda.” To see Plow in person, you’ve got two opportunities this weekend – at The Boneyard in Atlantic City on Saturday (tickets and info here) and at Mojo Main in Newark, Delaware, on Sunday (tickets and info here). The Newark show should be a blast – it’s their first visit to their onetime stomping grounds since the late 90s.
Cult favorites of the Delaware Valley punk scene Plow United headlined The Barbary on Saturday evening. It was a packed, slamdancey, screamalongy sweaty show in celebration of their brand new LP, Marching Band. The all-around bill was solid, with fellow Philadelhpians The Holy Mess, NONA and Ma Jolie on the bill. JUMP Philly’s Joseph Gallagher was in attendance, along with photogrpaher Jessica Flynn. Check out their report after the jump. Continue reading →
Man, that was a rush. I just got back to the radio station from recording a Key Studio Session with Plow United; we were on location at the gorgeous new Studio A space in South Philadelphia. The band is sounding loud, tight and tremendous, knocking out three songs from their forthcoming Marching Band and a Siouxie and the Banshees cover in just about 12 minutes. The new material is great – if you grew up listening to Plow, like many punk rock loving folks in the Delaware Valley did, you’ll feel instantly transported a V.F.W. hall off of Paoli Pike in the late 90s.
The band is in the van as we type, heading up I-95 to appear on the Chris Gethard Show in New York tonight (check out the webcast tonight at 8). They’re going to sound great on there, and they’re going to sound great at The Barbary this Saturday — and we advise you to head over to Brooklyn Vegan right now and listen to their stream of Marching Band in its entirety. Standouts include, obviously, the two singles we’ve heard already – “Falling, Deeply” and “Human 2000” (watch a video for that one below), but also “Cui Bono?” (the “we do” coda kinda sorta maybe reminds me of the Stonecutters song from The Simpsons), “The War is Over and Our Side Won,” “Get Low” (some great co-ed vocal counterpoints on that one) and, hell, the whole dang thing.
Crank it. Watch the video below. Get information on Saturday’s show at The Barbary here. Keep an eye out for audio and video from the session when we release it in a couple months – right around Plow’s next round of east coast shows. And, for a delightful bonus, look after the jump for an illustration of today’s studio session by Studio A production assistant Pema.
“Something brings me back,” sings Brian McGee. “But I can’t count on where, or who, or why.” This line from “Falling Deeply,” a new Plow United song premiered this afternoon on The A.V. Club, seems to parallel the way that, when we least expected it, these cult favorites of the late 90s Philly hardcore scene (and beyond) reemerged. First for a one-off reunion for Riot Fest East in 2011, then for a handful of other shows, then for their new LP, Marching Band, due out on Jump Start Records in April. The mix sounds massive, but the song – like previous single “Human 2000″ – sounds like good old Plow – crunching guitars, thoughtful lyrical introspection, heavy beats. Listen to “Falling Deeply” here. Get information on the band’s all-ages show at The Barbary here. And below, watch video from Riot Fest.
Here’s one we’ve been waiting to tell you about since December – reunited Philly-area punk rockers Plow United will be releasing their first LP in almost 15 years, Marching Band, on Jump Start Records this April. The all-ages release show they put together at The Barbary packs a wallop – The Holy Mess, NONA and Ma Jolie are also on the bill – and tickets go on sale this Friday January 11. We hear rumblings of a very cool 21+ afterparty that we’ll fill you in on in due time. In the meantime, check out “Human 2000,” the first single from Marching Band.