Very few labels start on purpose. Normally it’s just something that happens, a confluence of circumstances, an accident – but hopefully a happy one. You or your friends are in a band that’s recorded something and you want to put it out but you don’t think any existing label would be interested and so you say, “It’s DIY music so I can just do it myself! And really, why stop with just this release when I can be a resource for others? I mean, how hard can it be?”
The answer, as anyone who’s ever stumbled into running a label, is simple: it’s close to impossible. There are so many pitfalls, so many ways things can go wrong, so many ways to lose lots of money and have little to show for it but a few hundred records tucked away in storage forever. The rewards are equally plentiful, which is why so many people go down that route.
Jake Saunders has been walking that tightrope since being handed the keys to Ramp Local, the label he’s been running for the last couple years. It was started by Trip Warner of Wharf Cat Records in Brooklyn – home to Urochromes, WALL, Flasher, Bush Tetras, and a ton more amazing bands – as “a way for him to release more experimental, obscure stuff” on cassette, according to Saunders. Since taking it over, he’s expanded things to also include vinyl releases, most recently a record for Harrisonburg, VA “industrial blues” two piece Buck Gooter. More on them later.
Saunders explained that he initially met Warner while booking shows in Brooklyn. He was putting together a compilation that included a track from Sediment Club, who Wharf Cat has worked with in the past, and Warner suggested that Ramp Local could release the cassette. They started working together shortly after that tape, called Eclectic Sessions, was put out in October of 2015. According to Saunders, “After a while, I was kind of just getting into it and he said, ‘You can run this shit, man’ and he handed it over to me no questions asked. I think he just had too much going on.” Continue reading →