According to Shaking Through, The Dead Milkmen’s track (entitled “Prisoner’s Cinema”) is:
“a celebration of the every-day people who had to clean up after rock-stars and their debaucherous episodes of the past.”
In the video for the track, below, members discuss the difference between live shows and recording, the late Dave Schulthise (Dave Blood), record label pressures, and the all-encompassing theme of the working-class in comparison to rockstars. Continue reading →
Weathervane Music will live-stream a Shaking Through recording session with Pattern Is Movement this Friday and Saturday. Despite having just released a self-titled record that took five years to create, this will be Andrew Thiboldeaux and Chris Ward’s final musical adventure together (for now, at least).
This month’s Shaking Through session is a moving episode featuring Pennsylvania’s Lewis & Clarke, the musical project of Lou Rogai. The installment was curated by Strand of Oaks’ Tim Showalter, a Shaking Through alum himself from 2010. During his time at Miner Street Recording, Rogai created a new song called “The Silver Sea,” which you can listen to below.
Last month Creepoid premiered the first single, “Sunday,” from its upcoming self-titled album on No Idea Records. Here’s the video for it, and it’s quite laid back for what we’ve seen from the band in the past.
Despite the album being their first since 2011, it’s not the first time we’re from them since then. The video for “Golden String” by BitBY was released in 2012. And remember when Shaking Through did a video featuring Creepoid in the wake of 2011’s Horse Heaven? Yeah, well, the song in that video, “Old Tree,” is on the upcoming self-titled album. The tracks have obviously been lingering a little bit.
But the video for “Sunday” doesn’t evoke that time of laziness late in a weekend. It’s simply slow-motion shots paired with a song that’s pushing deep into the couch. It’s the length of every note played in this song that makes it match this simple video. Whether it’s the long lead guitar notes, the breath-y singing or the tambourine that slaps back in the speakers, it’s not too much. Perhaps that’s what works for both the video and the song.
Creepoid is the featured album in this week’s edition of Unlocked. Download the song “Baptism” in Monday’s post, read Tuesday’s album review and check back tomorrow and Friday for an interview and more.
Shaking Through is Weathervane Music’s experimental recording project. Ten times each year a guest curator brings musicians into Fishtown’s Miner Street Recording to create a new song from start to finish over the course of two days. Past collaborators include Hop Along, Purling Hiss, Strand of Oaks, Hezekiah Jones and more. Check out all of the episodes here and watch Lushlife’s November 2013 installment below. Tickets and information for the 21+ kick-off show can be found here.
The three-piece, all-female punk rock group is live streaming their Shaking Through session on February 1st and 2nd free to the public – an opportunity otherwise only given to members of Weathervane Music Organization. Shaking Through gives fans the chance to watch an insider’s guide as to what recording is like for some of their favorite bands, or a chance to discover new music, while the bands or musicians get to record in a “professional setting.”
Weathervane, founded by producer Brian McTear in 2009, strives to promote independent bands in the area with Shaking Through. Cayetana, formed in the fall of 2011, is finally starting to take off, opening for Waxahatchee just last Sunday and releasing a 7″ this winter on Tiny Engines Records. Check out their studio session with The Key here and their video for “Hot Dad Calendar” below.
“Vermont” is the bright and poppy new single The Districts recorded for Shaking Through; it’s got a swagger to it that we haven’t heard from these guys yet, and their making-of-the-song documentary explores how the band sees itself as an inseparable unit of four friends making rock and roll. Download the song and watch the video below.
On Tuesday night, Philly rapper Lushlife (aka Raj Haldar) appeared on the WXPN Philly Local Show to premiere his new Toynbee Suite, an eleven-minute, four-movement hiphop symphony based on the mysterious Toynbee tiles around Philadelphia and around the world. Below, listen to an archive of his interview on the show, and get a free download the track – the latest from Weathervane Music’s Shaking Through series.
To dig deeper, read Marc Snitzer’s interview with Haldar here, and watch the Shaking Through documentary about the song after the jump. Continue reading →
Toynbee tiles- those clandestine, ceramic squares marked with crudely scrawled chunks of some lost conspiracy manifesto- are everywhere. Ever walk past one? They’re all over Philadelphia. And Chicago. And Buenos Ares. Hundreds of tiles have been placed around the world over the past 20 years by an anonymous tile-placer, more often than not stepped over, torn apart by civic management or otherwise weathered by two decades of simply existing. The tiles don’t draw too much attention to themselves; there’s no Banksy-level gawking involved, but they have left many folks simply puzzled.
“They’re definitely esoteric. They’re cryptic,” says a puzzled Raj Haldar, i.e. Lushlife, between sips of coffee and behind sunglasses in a sleepy South Philly café. (It’s 6 p.m. in November, by the way.) He’s explaining what about the Toynbee tiles drew him to write an 11-minute, multi-movement rap song called the Toynbee Suite.
“I think, like a lot of people, they just piqued curiosity in me. I’ve been walking around town over the last decade and just had very much a passing interest in them,” he says. “That sense of unknown origin gave me a lot of scope to build a narrative of what was behind the tiles. That openness was fruitful for the creative process, rather than writing about a historical fact where you’re limited to structure.”
The Toynbee Suite has dragged Haldar out of his creative comfort zone in a handful of ways. Aside from fixating on a particular, tangible subject matter (“I usually don’t rap about something this specific. My rhymes are more stream of consciousness,” he says), the sheer scope of the project forced the 30-year-old hip-hop artist to work with a slew of outside musicians and producers (“With the Lushlife records, I do absolutely everything. It’s completely DIY”) in a pithy 48 hours (“A three-minute song usually takes me like five months to write and record”). It’s operatic in its construction, divided into four movements, each based on a line from the most seminal and ubiquitous of the Toynbee tiles, the one that reads something like:
IN KUBRICK’S 2001
ON PLANET JUPITER
Recorded at Miner Street Studios in Fishtown, the Toynbee Suite is the latest in a series of installments from Shaking Through, a project from Weathervane Music that challenges musicians to write and record a song in two days, documenting the process along the way. Haldar’s might be one of the most ambitious Shaking Through episodes to date, although he had written the bulk of the Toynbee Suite months in advance. “Even with all that planning, the 48 hours was just so packed,” he says. “The song, in the multi-track, has over 140 tracks. It’s unreal.”