Though the inherent weary restlessness of folk music can never truly be contained, local folk organization, Folkadelphia, has a home here at WXPN on the air and at The Key through Fred Knittel’s studio sessions. This past year hosted a particularly gem-filled handful of folk discoveries, which is documented in the fifth installment of the Folkadelphia Sessions compilation featured below. Continue reading →
If the term “field medic” only and immediately conjures a mental image of medical personnel tending to wounded soldiers in combat, you’re probably wondering who this ginger-bearded DIY lad is that’s currently staring at you from the picture above. At least those were my thoughts a couple of months ago when I first soaked in the bill for the now-upcoming gig at Everybody Hits with Kississippi, Field Medic, Shannen Moser (replacing Harmony Woods), and Cherry. Three of these names I knew, of course — they’re the shining scene stars of Philly. ‘Twas the red-headed string bean who stumped me.
So I took to Field Medic’s Bandcamp, where the hardcore metal-esque black and red profile reading “freak folk/bedroom pop/post-country,” began spinning out a bluegrass-level, live-recorded traditional folk singalong called “do a little dope” — complete with whistles and pup-like howls and hollers. Utterly confused but in a happily surprised sort of way, I chuckled through the array of meme aesthetic titles (e.g. “p e g a s u s t h o t z,” “NEON FLOWERZ,” “me, my gibberish, & the moon,” etc.) and decided on the track “OTL” next. Harmonica-driven with self-aware, goofy lyrics like the line “I’m at the grocery store buying EBT sushi, wasabi soy sauce one true love,” mixed with true hopeless romantic sincerity, I knew I would be hooked on whatever else awaited me from this refreshing project.
But that left me with the question of who in sam heck is this colorful DIY character who crafts sweet love songs in the most authentic folk tradition? It’s Kevin Patrick, the San-Francisco artist who now splits his time halfway between San Fran and LA, that’s who. He’s had a pretty good year, I’d say, as 2017 brought an induction to the Run For Cover family and the resulting release of his first full-length album, Songs from the Sunroom, with them. But this record is really like a compilation of sorts, as Patrick has been making and sharing self-recorded tracks on Bandcamp for years now — those of which past gems make up this record.
Still left with many questions about the project, I was able to speak with Patrick on the phone last Wednesday morning while he was strolling the streets of San Francisco following his fruitless attempts at thrifting for a boom box to use on tour. Continue reading →
Lame-O Records‘ annual Rock Residency benefit series at Boot & Saddle returns for its third year next month, and WOW would you look at that lineup. A Lame-O event never disappoints, but this year they’ve put together an exceptionally stacked roster of labelmates and friends to take over Boot & Saddle every Thursday in January. And it’s all for a good cause — the proceeds from each show will benefit several local charity organizations. Continue reading →
Lame-O Records’ 5th Birthday bash is coming up this Sunday at First Unitarian Church, which will be a big Lame-O family gathering featuring performances by Slaughter Beach, Dog, Shannen Moser, Cherry and no thank you. And now, there’s an official pre-party for the party. Located in the Church’s Side Chapel will be an acoustic pop-up show featuring “Lame-O and Friends.”
Though the specific “friends” are not detailed, a Facebook post notes that “A LOT of friends will be playing.” And knowing how stacked the record label’s artist roster is, I think it’s safe to assume this is going to be quite a merry time. Continue reading →
Local favorites Strand of Oaks blew us away at Philly Music Fest this weekend, but if you missed the show or just couldn’t get enough, we have some good news. Tim Showalter just announced this year’s Winter Classic, an annual year-end event that’s become a tradition for the band and fans alike. It’s all happening over three nights this December at Boot & Saddle, and Oaks have enlisted a terrific roster of locals to open the stripped-down shows. Continue reading →
Last year, our friends in Hurry brought us their inaugural Halloween Spectacular — a spooky scary costume-filled show stacked with an amazing Philly lineup — and lucky for us, they’re making it an annual thing. Hurry’s 2nd Annual Halloween Spooktacular will bring some ghoulishly good Halloween magic to Everybody Hits on Oct. 28, and whether you’re a fan of the holiday or not, it’s sure to be a show you won’t want to miss. Continue reading →
The concrete median just south of City Hall is a popular spot for photos. Wedding, tourist, selfies – they all look great with the ornate building standing behind and the lights glowing up Broad St. It’s also the spot Shannen Moser chose for the final installment of a live video series she’s been doing this summer, filming Oh, My Heartcloser “Dirt and Water” well past sundown as cars fly by.
Standing in front of the looming and historic SS United States down at Columbus and Oregon, Shannen Moser gives a solitary performance of “Yr Undertaker” from this year’s Oh, My Heart LP in the video below. The clip is the first in a series that Moser will be sharing over the next month, leading up to the vinyl release of the debut album via Lame-O Records on June 16th.
Well, friends — the day has finally arrived. Philly’s favorite punk trio has gifted your patient waiting by dropping an early online stream of their new record, New Kind of Normal, over at Hype Machine. And gosh dang, what a gift this is.
Cayetana’s new album does not disappoint in the slightest, as the record’s twelve songs weave a beautifully powerful rollercoaster narrative where the band faces adversity and personal struggle with a resilient roundhouse kick to the face. Continue reading →
After a few years making a name for herself in the Philly house show scene, singer-songwriter Shannen Moser released the very impressive Oh, My Heart tape this winter, and it was an arrival. Building on the promise of her low-fi 2015 debut, you shouldn’t be doing that, the LP showcased haunting, heartrending songs embracing Moser’s roots in folk and country music with stunning arrangements made in collaboration with guitarist Eric Muth.
Folk has always been in Moser’s blood; she grew up in Berks County, she remembers hearing her dad play Townes Van Zandt’s “Be Here In the Morning” in his truck, and to this day sacred harp singing is one of her favorite forms of music. She says it makes her feel most at peace, and Oh, My Heart opens with a 28-second sample of “I’m Going Home” from a Sacred Harp concert at UCLA’s Royce Hall.