Lucinda Williams’ seminal 1998 album Car Wheels On A Gravel Road celebrated the 20th anniversary of its release on June 30, so it makes sense that many younger artists have been paying it tribute lately — including Philly’s own Slaughter Beach, Dog, who joined in on the fun with a cover of one of the record’s best tracks, “Drunken Angel.” Continue reading →
Not much beats a stacked double bill of local favorites, and that must be just what Slaughter Beach, Dog had in mind when booking their upcoming tour. It’ll be the band’s first headlining run since last fall, when they released their debut LP Birdie, and for the East Coast leg of the tour, Thin Lips is coming along (the second half of the tour gets Gladie, which is pretty cool, too). The two Lame-O labelmates will join forces at PhilaMOCA on August 25. Continue reading →
Year-End Mania is the Key’s annual survey of the things below the surface that made 2017 incredible. Today, Megan Cooper shares the soundtrack that kept her sane on SEPTA.
This past year, I’ve spent a quite a bit of time on public transport. Not having a car, while splitting my life between the ‘burbs as I finished up school (woo I’m done!) and the city as I worked and went to many a gig, you could say the R5 Regional Rail line was — for better or for worse — sort of like a second home to me.
Because although SEPTA often left me shaking my fists towards the sky at impossibly excessive delays, my feelings of seething hatred would immediately melt into warmth and contentment as soon as I’d slump into my window seat — eager for the twenty or so minutes of peace to come. Devoid of road rage and panic that parking spot quests bring, train commutes are a unique kind of solitary experience where the world seems to slow down and stand still as it ironically whirs right past you. So unless you’re on your way to some event you need to get mega hyped for, abrasive and loud tracks don’t really have a place here — at least for me. Though I love me a good ole punk jam, this quiet setting is reserved for reflective mindfulness where chill, soft and introspective songs reign supreme.
So, in no particular order, here’s a list of ten songs that served as my trusty train companions this year. Ranging from laid-back and soothing, to somber and melancholic, to atmospheric and poppy, these songs will get you in your head, make you feel many a feeling, and maybe even give your brain a comforting little hug of solidarity. Continue reading →
Lame-O Records‘ annual Rock Residency benefit series at Boot & Saddle returns for its third year next month, and WOW would you look at that lineup. A Lame-O event never disappoints, but this year they’ve put together an exceptionally stacked roster of labelmates and friends to take over Boot & Saddle every Thursday in January. And it’s all for a good cause — the proceeds from each show will benefit several local charity organizations. Continue reading →
I love when crunchy bands play Free at Noon. Especially local crunchy bands — that’s just the Cherry on top. Haaaa. You know, those bands that are more thought of in context of packing sweaty basements or DIY venues than playing WCL at an hour when coffee is still vital. And that’s exactly the musical forecast today’s early afternoon set called for, which saw Philly’s Slaughter Beach, Dog closing out the day’s rare local-favorite double-header .
Not only did this change of pace showcase well-deserving, insanely talented artists, it also brought about a refreshingly interesting collection of folks — where a crowd of longtime Free at Noon regulars became speckled with beanie-clad college students.
Just to be clear though, as previous co-frontman of a little mega band called Modern Baseball, Jake Ewald is no stranger to playing big venues. But his new project Slaughter Beach, Dog is an entirely different monster; particularly SB,D’s recently released record Birdie, where acoustic stillness and subtle twang serve as the go-to vehicles of Ewald’s casually intricate narratives. Continue reading →
A show like this Friday’s Free at Noon doesn’t come along every week — not only is this week’s concert a rare doubleheader, it’s also a chance to see performances by two of Philly’s best local acts together in one place — and at lunchtime, nonetheless. Slaughter Beach, Dog and Cherrywill both perform, and while they’re each fixtures of the Philly scene on their own, lately their careers have been running parallel: both artists released debut LPs in October, and both played Lame-O Records‘ 5th birthday showcase a few weeks back. Continue reading →
In recent years, Upper Darby art punk favorites mewithoutYou have toured in celebration of every milestone they’ve hit — this time it’s the 15th anniversary of [A–>B] Life, and they’ve hit the road to play the album in its entirety. Tonight’s stop at the TLA also includes a performance from Pianos Become The Teeth. Last time mewithoutYou played a show in town was for the 15th anniversary of Brother, Sister — read The Key’s review here. Find tickets and more information on tonight’s show on the XPN Concert Calendar. Continue reading →
Lame-O Records’ 5th Birthday bash is coming up this Sunday at First Unitarian Church, which will be a big Lame-O family gathering featuring performances by Slaughter Beach, Dog, Shannen Moser, Cherry and no thank you. And now, there’s an official pre-party for the party. Located in the Church’s Side Chapel will be an acoustic pop-up show featuring “Lame-O and Friends.”
Though the specific “friends” are not detailed, a Facebook post notes that “A LOT of friends will be playing.” And knowing how stacked the record label’s artist roster is, I think it’s safe to assume this is going to be quite a merry time. Continue reading →
Slaughter Beach, Dog’s album Birdie is available everywhere today via Lame-O Records. But before then, in an incredibly bold move of transparency, Jake Ewald and pals decided it was time to expose the horribly dark, forbidden, entirely and completely shocking secret behind the album through a mini documentary.
The video begins with Ewald’s loved ones describing their relationship with him, and detailing his exemplary character — well, at least, once exemplary character. Things quickly go south (err west?) when Ewald’s true colors are revealed. Continue reading →
You’re sitting on the porch with a cup of coffee. The sun’s setting, there’s a slight cool breeze, trees are rustling, and you’re tucked under a crazily cozy blanket. Not a care, just good and safe. If this setting of comfort had a musical equivalent, it would be Slaughter Beach, Dog’s new song “Acolyte.” Continue reading →