It’s a great thing when two lo-fi DIY artists bring their solo projects together for a collaborative release. Philly bedroom pop outfits Soft Idiot and Lonely Ghost recently teamed up to release a 4-song split EP, available now on Bandcamp. We last heard from Soft Idiot, the project of Justin Roth, with the release of stillborn in March; and this marks Lonely Ghost’s first release since Funereal in May 2016. Continue reading →
We’ve been pretty fairly hyped about Harmony Woods recently released debut album, Nothing Special, over here at The Key. We profiled the band early this week and we’ll be there at their album release party at JJ’s Diner. So it’s no surprise we’re also pretty fairly hyped about the band’s recent stop at WTSR Studios. Continue reading →
I absolutely love NPR’s Tiny Desk concerts. There’s something about the intimate, stripped-down, super out-of-place setup that never fails to bring about the best performances from artists. The staff at The Temple News takes cues from this type of gig by hosting a web series that showcases local bands performing in their student news office. The recent feature of local indie-outfit, Soft Idiot, reaffirms this belief that packing musicians into a tiny office and making them play tunes is a vital necessity in life. Continue reading →
Philly four-piece Soft Idiot released a teaser for their new album, stillborn, and let me tell ya, I’m hooked. The impeccably-named band’s teaser includes two tracks, including “Brother Part I” and “Love Like.”
The latter is the newest release from the album, and is an amalgamation of all kinds of awesome. I love when songs surprise me, and oh boy did this song surprise me. The track begins in folk punk, singer-songwriter fashion, but then quickly builds into a wopping smorgasbord of different genres. A sweet banjo riff incites a bluegrass feel, only then to be matched by the addition of some psych synth. Then, about half-way through, searing amps and layers of guttural shouts take over, which abruptly fade into a spooky 80s synth send off.
Okay, I know what you’re thinking: that’s a lot of different things going on right there. But trust me, all of this actually works together so well. It makes you question why punk-folk-screamo-Americana-synth isn’t already an established genre. By the end of the song, you’ll be left blinking “what kind of strange beauty did I just stumble upon?” And you will never see the world the same again. Continue reading →