Philadelphia singer-songwriter Lily Mae is bringing her acoustic stylings to World Cafe Live tonight opening for Yael Naim. She released her sophomore record, Closer, on November 11th and its acoustic ballads you fall in love with this folk-pop all over again. If you’re a frequent reader of The Key you’ll know where to go for tickets and show info, but if you’re not just click here. You can also check out the title track for her new LP below. Continue reading →
It’s not easy to pin a genre to Son Step. Some have compared to the Philadelphia experimental outfit to Animal Collective, which is fair. But, really, Son Step is unique, and the band fully demonstrated that on their recent LP natural majique, released May 27th.
Listening to “Steam Team,” track one of natural majique, I can’t help but be reminded of a video game soundtrack. And back when I was a kid and playing my Game Boy too however many hours a day, I would sometimes have to mute soundtracks because they were so bothersome. But the electronic intro of this song is just so catchy, enough so that surely they would never be muted. As the vocals are brought in, it’s becomes much more than some dope beat — the song emerges from it’s third minute as a multi-layered jam that proves all of this is just the beginning. Continue reading →
Local experimental pop outfit Son Step are back with another single from their forthcoming Natural Majique LP. The Wild Honey Pie debuted “One of Every” earlier this week, a follow-up to last month’s “Sweet Wife Life.”
Reminiscing about last summer’s east tour in support of their debut LP, local folk / brass band Port Arthur shared a live session recorded at Daytrotter this week. The set includes a handful of songs from Everything’s Incredible along with a new track; stream and download the session below.
Grooved-up Philly experimental four-piece Son Step returns this winter with an LP called Natural Majique, and today the band teases it with the release of a new two-song single. You can listen to our premiere of the “Mai Lai Wah” single below, and indeed, the title song does take its name from the Race Street restaurant with the rad neon in the windows. Continue reading →
For those of you who don’t know about NPR’s Tiny Desk Concerts, you may want to head over to their site and root through their enormous and equally impressive archive. Their 15-minute videos feature live performances from artists of all genres held in the quaint offices of NPR at All Songs Considered host Bob Boilen’s desk.
Ranging from big names like Adele and Alt-J to up-and-coming artists such as Angel Olsen and Rubblebucket, viewers are able to watch the artists perform in the intimate setting, giving the performances a stripped-down, no B.S. vibe. While these videos are ultra fun to watch (perhaps continuously, one after another…), NPR kept things interesting this winter by kicking off a contest to feature a new artist in their series.
Based entirely off of video submissions from all over the United States, an artist will be chosen to perform a Tiny Desk Concert at NPR headquarters in Washington D.C. as well as snag a slot in the big Lagunitas Couchtrippin’ showcase in Austin, Texas. Philadelphia, brimming with the amazing musical talent that it is, seems to have jumped at this opportunity. Continue reading →
Local experimental project Son Step have shared a live video of members Jon Coyle and Joel Gleiser performing “One of Every” at August’s Magic Death Sounds Block Party, following up September’s ova nova EP release with an even newer song. Continue reading →
Punk Philly band Roof Doctor released their newest album in a way that’s as sweet as the album itself.
This morning, a link to Mobile Freedom Home was accompanied by one line: “Hey guys, here is our album. We love you. We hope you like it. <3”
The band’s fans have been anticipating the release for quite some time. Since November of 2012, in fact, and the album’s intimate sound and intricate instrumentation reflect their hard work laboring in at Fishtown’s Headroom Studio.
Mobile Freedom Home is the kind of album that you listen to once through and can’t quite distinguish track by track (except for “Bottle It Up,” man, give that one a listen), but instead familiarize yourself with the sound, finding yourself humming the tune as you mosey through your apartment. Then, you find yourself wondering, “What the hell is that song called?” only to return back the 10-track album hunting through the tracks discovering additional treasures off of the album. That’s how Roof Doctor gets you.
But upon second and third listen, you’ll start to notice the small jangly, irresistable details that accompany each track’s unmistakable vocals.