Sounds of Psychedelphia is a three-part series exploring the history of psychedelic rock in Philadelphia. this month, we begin by studying the scene’s origins in the late 60s and early 70s.
As the 60s psych rock revolution faded in the U.S. and England, giving way to the complex, technically dense sounds of progressive rock and the spectacular grandiosity of glam rock, the barrier of entry for rock and roll was at an all-time high.
By the late 70s, punk had come in like a tidal wave, sweeping the table clean and emboldening a new generation of musicians to pick up instruments and play, regardless of experience or technical proficiency. Punk had leveled the playing field, birthing a vibrant DIY (Do It Yourself) culture that thrived in basements, practice spaces and squat houses around the world. The artistic freedom that punk opened up led many bands of the post-punk generation to begin to experiment with new and old sounds. While some post-punks took the music into previously uncharted waters, cross-pollinating punk aesthetics with dance beats, free-jazz, noise and icily dramatic electronica, many musicians began to look back to the psychedelic sounds of the 60s for inspiration.
Following this trend, bands in cities hit hard by punk — San Francisco, Chicago and most notably Los Angeles’ notorious “Paisley Underground” scene — began to experiment with garage rock and acid-fried neo-psychedelia. The city of Philadelphia was no different, seeing a number of its artists by the 1990s begin to explore the psychedelic sounds of the past with an eye toward the future. Continue reading →