WXPN Welcomes The Wallflowers to the Trocadero on Thursday, November 8th. They recently released their new album, Glad All Over, and appeared on World Cafe with David Dye. You can listen to that session here. We asked the band to create a playlist of songs and they came back with an excellent list of music from a diverse range of artists including British legends Bert Jansch and Richard Thompson, krautrock legends Can, the Manchester post-punk rock band The Fall, and British post-rockers Bark Psychosis and more. Continue reading
The Beach Boys made their mark in the mid-sixties with pop hits like “God Only Knows” and “California Girls” but War on Drugs bass player and Nightlands main man Dave Hartley is here to tell us why the band’s real genius didn’t show itself until later on. From Dave:
The Beach Boys are much more than the just Pet Sounds and Surf-Car-Girl party songs. Here are twelve strange and beautiful songs that came after.”
In a Spotify playlist he created for his bands’ label Secretly Canadian, Hartley handpicks his favorite Beach Boys tracks from albums including 1967′s Smiley Smile, 1970′s Sunflower, 1971′s Surf’s Up and more. Continue reading
Still riding high on the heels of his critically-lauded, doubly-eponymous album, Bon Iver this week kicked off a new interactive project in conjunction with popular music streaming service Spotify and social-networking site Indaba Music. Yesterday, the stem files to all ten songs on Bon Iver, Bon Iver were released on the site for fans to download and remix.
Now, you might often see the term “stems” thrown around the music blog world with hardly any explanation, so here’s a crash course for those who aren’t studio geeks: when an album is recorded, it’s typically done in pieces at a time – just the guitar, just the drums, just the vocals. Those pieces are then mixed together, and a “stem” is a WAV audio file containing one of those pieces.
So if you’re game to partake in this contest, you create an Indaba membership and download your stems here, and then get cracking on your remix in the audio program of your choice (GarageBand, etc.). It could be something as simple a giving “Perth” less synthesizer and more drums. It could mean making an a capella version of “Holocyne.” Or it could mean taking “Calgary,” cutting it into bits, and rearranging it over some original deep-vibe tracks of your own.
The sky is really the limit, but the deadline for submitting your remix is Aug. 29. Fan voting begins on the 30th, and top ten vote-getters winners recieve cash prizes. Even if you aren’t a finalist, it’s a great opportunity to market your remixing skill just in time for Bon Iver’s show at the Mann Center for the Performing Arts on Sept. 16. Good luck!