Amongst punk-leaning and DIY-defined artists in this city, Sunny Ali and the Kid are virtually peerless. Singer/guitarist Hassan Malik and drummer/multi-instrumentalist Abdullah Saeed took their music through an evolution from cheeky rockabilly and minimalist garage rock to a newer sound that incorporates electronics and ethereal soundscapes – all the while vaguely repurposing South Asian musical themes and punk urgency in punchy songs that defy easy categorization.
The band took a significant break through a roughly year-and-a-half-long period that saw Saeed’s journalism work flourish (he works with several publications and writes a popular VICE column on marijuana) and both his and Malik’s ongoing work with The Kominas, a punk band known for songs that similarly play with South Asian and Islamic musical tropes while incorporating lyrics that involve jabs at Western misconceptions of Muslim belief.
As men of Pakistani descent with a comprehensive and intuitive understanding of why their music and livelihoods defy racial stereotyping, Sunny Ali and the Kid personify the mission that the folks behind Rockers! (whose events highlight artists who otherwise don’t fit into the white-male-heterosexual-dominated rock world) take into every show. This is probably why Malik and Saeed are playing their first show in two years by headlining the last Rockers! show of 2014 at West Philly Ethiopian spot Dahlak Paradise.
We caught up with Malik and asked him about their return, race and class in scene politics, handling geographical divides and making music with a mission. Continue reading →