Superheaven vocalist/guitarist Taylor Madison is anxious. It’s early December, a few weeks after recording wrapped on the Philly-area post-hardcore band’s second LP at producer Will Yip’s Studio 4. The album follows up 2012′s Jar (released under the band name Daylight) and it is currently off in mixing and mastering land for an early 2015 release through SideOneDummy Records. “My anxiety is far outweighed by excitement,” he assures me. “We’re all just trying hard to be patient and waiting to be able to play this stuff in front of people.”
Between his balance of nerves and eagerness, Madison makes clear there are internal expectations on this record as well. With a blunt transparency that has quickly become his trademark as a frontman, he explains how “none of us want to reach our 30s and hoping we’ll be able to pay our rent next month.” Madison and his bandmates are chasing after something bigger, and based on early impressions alone, they’ve found it. Details remain pretty mum at this point (until their label gives the go ahead), but LP2 is tighter, hits (way, way) harder and presents a fully realized and focused vision of what grunge can look and sound like in the mid-2010s. Superheaven doesn’t shy away from a heavy acknowledgment of its influences and instead bolsters every flag flown on Jar.
I was able to have a quick chat with Madison about the process and scars behind what is certain to be one of 2015’s heaviest records. Continue reading →