The sun set long ago for the Doylestown band known as Daylight.
But that didn’t mean they stopped making the battering, heavy songs that offered a throwback to the 90′s, served up on their debut record Jar. In fact, they took that sound and perfected it. That is what you will hear from Superheaven – different name, same snarling attitude. Continue reading →
“I’ve Been Bored” is the first single off Doylestown fuzz-punk band Superheaven‘s forthcoming sophomore album, Ours Is Chrome. With the new track comes a music video in which the Superheaven dudes find extra-terrestrial life stuck in the Philly suburbs. A wintry off-road bike ride takes singer / guitarist Taylor Madison to discover an alien; with the help of his bandmates, Madison puts on a “Welcome To Earth!” concert for the silver space suit creature. It’s not the most serious video, but the song sets a dramatic tone with grungy bass chords and thrashing distortion as Madison sings “symmetry in everything, but one side is always fake.” Continue reading →
Farah Siraj grew up in Amman, Jordan, and though her music is rooted in the traditional sounds of her home country, she takes an expansive approach to songwriting. Incorporating bits of jazz, flamenco and folk, Siraj breaks down traditional barriers, and also uses her songs as a means for humanitarian advocacy. Tonight she headlines World Cafe Live; tickets and information on the show can be found at the XPN Concert Calendar. Continue reading →
Superheaven vocalist/guitarist Taylor Madison is anxious. It’s early December, a few weeks after recording wrapped on the Philly-area post-hardcore band’s second LP at producer Will Yip’s Studio 4. The album follows up 2012′s Jar (released under the band name Daylight) and it is currently off in mixing and mastering land for an early 2015 release through SideOneDummy Records. “My anxiety is far outweighed by excitement,” he assures me. “We’re all just trying hard to be patient and waiting to be able to play this stuff in front of people.”
Between his balance of nerves and eagerness, Madison makes clear there are internal expectations on this record as well. With a blunt transparency that has quickly become his trademark as a frontman, he explains how “none of us want to reach our 30s and hoping we’ll be able to pay our rent next month.” Madison and his bandmates are chasing after something bigger, and based on early impressions alone, they’ve found it. Details remain pretty mum at this point (until their label gives the go ahead), but LP2 is tighter, hits (way, way) harder and presents a fully realized and focused vision of what grunge can look and sound like in the mid-2010s. Superheaven doesn’t shy away from a heavy acknowledgment of its influences and instead bolsters every flag flown on Jar.
I was able to have a quick chat with Madison about the process and scars behind what is certain to be one of 2015’s heaviest records. Continue reading →
Hours before doors, hundreds of people waited in line in front of Union Transfer for the sold out Basement show on Monday night. The Run for Cover Records emo band recently reunited and are currently on the last leg of their US tour with Pennsylvania’s own Superheaven (formerly known as Daylight), Pity Sex, and Ovlov. Continue reading →
Long-running New York pop-punk crew Bayside hit The Troc earlier this month for a sold-out show with Doylestown four-piece Daylight (which has since changed its name to Superheaven) and Mixtapes. Bayside is on tour in support of Cult, it’s first release for Hopeless Records and its sixth album overall. Check out photos from the show in the gallery below.