Synthpop duo and all-around pop powerhouses Sylvan Esso released spirited single “PARAD(w/m)E” today, their first new release since 2017’s sophomore LP, What Now. Characterized by a groovable BPM (116, for those counting at home – or out on the dancefloor), crunchy low-end synth hits, and bubbly, percolating synthlines, the duo crafts a fun yet progressive pop track in terms of production. Amelia Meath’s vocals have the power to transport you to brighter warmer days, enticing the listener to “P A R A D with me.” Continue reading →
It’s hard to imagine many bands that are more just plain fun than Sylvan Esso. And last weekend during two very sold-out shows at Union Transfer, they both had fun performing and shared their magical sense of passion and humor with an adoring crowd of fans. I had been waiting to see the band again for almost two years, since first encountering them in Wisconsin at Justin Vernon’s inaugural Eaux Claires festival — and getting to see their explosive presence touring behind the just-released What Now did not, of course, disappoint. Continue reading →
Each week, the Indie Rock Hit Parade is allotted a mere two hours to fill your brain with new and exciting sounds. While that might seem like a short amount of time, a lot is accomplished in that span. For example, on tonight’s show (starting at 11pm ET on WXPN, shortly after Making Time RADio with Dave P), we’ll hear a new studio session, the grand return of a beloved band, and a few spotlights on newly released albums. First up, the live session: Los Angeles dream poppers Froth recently came through our studio to perform songs from their new album, Outside (briefly). If you dig walls of guitars mixed with ear-popping melodies, don’t miss this live set. Perhaps the biggest news in the music world is the resurrection of LCD Soundsystem. We’ll hear both sides of their comeback single in the mix tonight. And what would an IRHP be without an Album Spotlight or three? So much new stuff came out this week, we’ll dig into new records by Perfume Genius, Cayetana and The Black Lips in the second hour of tonight’s show. Preview a few of the new things below…
This week and last have seen so many new album releases that I feel it’s proper to declare tonight’s Indie Rock Hit Parade as Revenge of the Night of Far Too Many New Albums! Listen for a full two-hour show starting at 11pm ET on WXPN (that’s right after Land of the Lost with Robert Drake, okay?) for loads of album spotlights and scattered new tracks. We’ll dig into long-awaited new releases from Feist and Sylvan Esso, plus new albums from The Black Angels and The New Year that shouldn’t fly under your radar. Also in the mix we’ll hear new tracks from Philly experimentalists Palm and Sonic Youth legend Thurston Moore‘s latest solo effort. Preview some of the new stuff below…
Sylvan Esso began rolling out new material last September, sharing the perfectly poppy “Radio” and its b-side “Kick Jump Twist” but keeping details of their sophomore effort underwraps at the time. Today the duo revealed those details: What Now will be out on April 28th via Loma Vista Recordings, accompanied by a multi-month international tour that thankfully includes a headlining date at Union Transfer on May 20th.
Electronic indie rock duo Sylvan Esso are biding their time as they work on the follow-up full-length to their wonderful self-titled debut from 2014. But if the new songs they’re working on are this good, they can take as much time as they need.
The band today released a music video for “Kick Jump Twist,” the b-side to their “Radio” 12″ single, and it features the hypnotic dancing of Gary Reagan providing an extremely physical response to the 2016 election. Continue reading →
Sylvan Essoreturns with a new song called “Radio,” their first release since their self-titled 2014 debut album. The duo is planning to release their sophomore record sometime in 2017. The new single, “Radio,” will be released on vinyl on November 18th along with “Kick Jump Twist.” Listen below. Continue reading →
The Eaux Claires festival in Eau Claire, WI continued (read about Day 1 here) July 18 with a much slower start, a combination of Friday’s intense heat and thundershowers through the night having broken some of the pressure.
Leaving no time to waste, staff photog Jeremy and I headed over to the dome marked “Eternity Awaits” that I described yesterday. Once inside the dome, recorded “confessions” and “Alleluias” played as a soundtrack for the experiment as the hay bales started to fill with those anxious to confess. These recorded confessions included everything from a woman sharing she was really a cat to friends admitting they deceived each other; really weird mix of stuff. I pulled the number “12” from the ticket wheel and patiently waited. Astronautalis came out from the confessional between hearing confessions in full priestly regalia, guzzling a Miller Lite and sizing up every sinner in the room with his own appearance-based evaluation – never mind what each person was actually going to confess.
Finally, my ticket was called and I approached the confessional, totally unsure of what to do once I got up there. But, just like in my Catholic upbringing, I entered one side of the confessional and Astronautalis entered the other. The walls of the small box were filled with photobooth-like mugs of others; a kneeler and a screen were also present in on the wall facing Astronautalis. Continue reading →
Here at The Key, we’ve gone through four year-end best-of seasons since launching in August of 2010 without weighing in on top albums. Why did we change that this year? Simply put: music in 2014 was outstanding. On the local front, on the national front, from pop to rock to experimental and hip-hop, there was a tremendous offering of front-to-back solid records. Annie Clark got mind-bendy on St. Vincent; Tim Showalter got emotional on HEAL; Sylvan Esso caught us by surprise on their self-titled debut; Cayetana blew up in a big way on their debut Nervous Like Me, voted the best record of the year by our staff of contributors. To narrow it down to the top 15 albums of 2014 is to exclude hundreds of other worthy inclusion, so you can read our contributors’ individual top fives here. Then again, there is power in consensus, and these are the albums we collectively agreed were the best. Continue reading →