Charlie Parr is one of the most important contemporary American folk musicians that you probably know nothing about. Based in Minnesota where he also grew up, Parr taught himself guitar and banjo listening to folks like Charley Patton, Woody Guthrie, and Dock Boggs. His online biography is quite right when they say “he sounds like he would have fit right into Harry Smith’s Anthology of American Folk Music.” Parr’s most recent records are Hollandale, an all instrumental record, produced and played on by Low‘s Alan Sparhawk, and Barnswallow, a live-to-tape album featuring traditional and originals.
Folkadelphia presents a concert with Charlie Parr, along with Philadelphia musicians Ryan Petrillo (of the Bailey Hounds) and Snagwing at HubBub Coffee (University City location) this Saturday, February 22nd. More information can be found here. Watch Parr perform “Motorcycle Blues”:
Also on this episode of Folkadelphia, we’ll premiere an excerpt from Berlin-based (but Philly at heart) harpist and singer-songwriter Gillian Grassie‘s Folkadelphia Session. Continue reading →
The Nashville natives of Kopecky Family Band will be headlining the TLA tonight, just one stop on a tour that is taking them around North America for the remainder of the year. Their full indie sound is created with the use of keyboards, horns, and cello in addition to the basic band set up. Their somewhat recent release, Kids Raising Kids, opens with the spunky lyrics “Oh! my wandering eyes / nothing’s gonna take me by surprise!” that are delivered in harmony over bluesy riffs and slowly marching drums. Sure to be an upbeat performance, get out to see Kopecky Family band, especially since they’ll be supported by California-bound locals Cheers Elephant. Find tickets to the show here, and pick up their album here.
The fifth annual 2nd Street Fest brought a bustling crowd and wide assortment of food vendors, community organizations and local musicians to Northern Liberties on a sunny Sunday afternoon. Among those performing at the Fairmount and Germantown stages at either end of the mega-block party were Chambersburg indie-punk outfit The Shackletons, Americana ghouls The Bailey Hounds, singer-songwriter Denison Witmer and aggro-folk crew On the Water.
In the Piazza at Schmidt’s, West Philadelphia Orchestra stole the show playing a long set of eastern-European infused brass band dance jams; when they were notified that their time onstage was over, they marched off, still playing, and wrapped up their performance in the midst of a frenzied crowd. Electro-poppers Vacationer turned in an impressive performance as well, and the big stage show wrapped up with The Low Anthem‘s first post-hiatus Philadelphia performance, though the festival continued out on the street till 10, and into the wee hours at the North Bowl afterparty. Check out photos in the gallery below.
Philly Americana rockers The Bailey Hounds are getting ready to release their latest EP – the heavy, Crazy Horse-ish All the Blood in the World - and on Saturday night the band got spooky and took the music to Laurel Hill Cemetery for a concert among the gravestones, in open air. Check out photos from their set in the gallery above, and get more information on the band’s July 13th album release show at Johnny Brenda’s here.
Philly roots-rock four-piece The Bailey Hounds get heavy on their latest offering, the All the Blood in the World EP, out on Bandcamp today. Singer-songwriter Ryan Petrillo discussed his fascination with the macabre and gothic Americana at length in his Key Studio Video Session interview last year, but those themes didn’t entirely come across in the band’s 2011 debut Along the Gallows. There was a lot of talking up of these elements, sure, but when you got down to what the album actually sounded like, it was pretty much a solid collection of poppy roots music where some moments (the title track) were even about love and heartbreak moreso than anything more horriffic. This new set of recordings strikes a different chord from its opening, er, chord – it’s steeped in the rumbling amps and pensive pace of Crazy Horse, and Petrillo seems to be exploring the storytelling end of his lyrics more deeply, allowing him to reach some of those dark corners that he only hinted at before. Check it out below. The band celebrates the release of All the Blood in the Worldat Johnny Brenda’s on July 13th, but you can stream the whole thing below, and buy it for download at The Bailey Hounds’ Bandcamp page.