The Dream Syndicate are back with their first new music in almost thirty tears and are still rocking as good as they ever have. On September 8th, the seminal indie rock rockers will release their fifth studio album, How Did I Find Myself Here? It’s the band’s first album since 1988’s Ghost Stories.Continue reading →
Iconic indie rockers The Dream Syndicate gave the crowd a taste of exactly what was to await them from the very first chord of their NonCOMM night three set: utterly crunchy, fuzzed-out guitar jams.
It’s been thirty years since the band’s 1988 album Ghost Stories, but it seems like they picked up right where they left off. Don’t believe me? Tell that to guitarist, Jason Victor, who leapt right onto the tables in front of the stage during the band’s second song — strumming the heck out of his guitar amongst the crowd for an epic solo. Continue reading →
When The Baseball Project‘s Steve Wynn and Scott McCaughey paid a visit to the XPN studios last month, they promised they’d be back for a full band show sometime in the not too distant future. Sure enough, a full-band show has just been announced for World Cafe Live in Philadelphia on Monday, July 28th. Arriving just a few week’s after the MLB’s own mid-summer classic, The Baseball Project’s starting lineup will include Wynn and McCaughey (also known as founders of The Dream Syndicate and Minus 5, respectively), utility drummer Linda Pitmon (The Miracle 3) and bassist Mike Mills (now a free agent following the 2011 breakup of R.E.M.). The crew just released a stellar new album, 3rd (Yep Roc), whose songs range from the historical (“Pascual On The Perimeter” and “The Day Dock Went Hunting Heads”) to the personal (“Box Scores” and “The Baseball Card Song”). If past Baseball Project shows are any indication, classics from each member’s other bands and some choice covers are sure to be in the mix as well. Tickets will be available here (they go on sale Friday 5/9 at 10a.m.). Stream 3rd below:
A rousing cover of Big Star’s “Thank You Friends” was a sincere and apt final song for the occasion last Wednesday in Hoboken, N.J.
On July 31, Maxwell’s closed its doors for good after 35 years of intimate gigs with established and unknown bands of local and international pedigrees. A full house of 200 attendees packed the back room of the restaurant, bar, venue and nexus of alternative musicology for a double-bill curated with an air of history. The first band to ever play the venue, “a,” which had not played its songs since 1978, and The Bongos, a Hoboken band of the past (and the future). As there was a dream for a Hoboken of a time gone by, there is a wealth of evidence for the spirit of Maxwell’s to continue on in bands, other venues and the desires of the public for great music.
“In a lot of ways, Maxwell’s was to Hoboken what J.C. Dobbs on South Street in Philly used to be in the ‘80s and ‘90s and what Johnny Brenda’s is to Philly now — a center of a great local music scene that brought in emerging national bands,” WXPN program director Bruce Warren said. ”I saw one of the earlier Yo La Tengo Hanukkah shows, Freedy Johnston, the Bongos, fIREHOSE; I saw an insane Sonic Youth show there. I was also a fan of Bar/None Records, from Hoboken, which is still thriving, and if one of the bands on the label were playing, I’d go up.”
Musicians also eagerly reminisced about their Maxwell’s experiences.
“The closing of Maxwell’s is sad, primarily because of all the essential rock ‘n’ roll memories it brings to me,” said Scott McCaughey, who played there with Young Fresh Fellows, The Minus 5 and The Baseball Project.
McCaughey cited performing “The Gorilla” on the bar, singing with Dennis Diken and Bell Sound, “any number of rabble-rousing Fleshtones shows and especially the many ridiculous Young Fresh Fellows nights, going back to our earliest days.”
Linda Pitmon, who plays drums behind McCaughey in The Baseball Project, said Maxwell’s shows were particularly memorable.
“As a performer I’m going to miss that little thrill I’ve always felt walking in to that small, square, unassuming but perfect rock room,” Pitmon said. “Maxwell’s gigs never cease to stand out in my mind. They don’t become subsumed into the blob of generic shows.”
Glenn Morrow, one of the founders of Bar/None Records and member of two bands that played on the last night of Maxwell’s – “a” and The Individuals – will miss Maxwell’s more as a member of the public than as a performer.
“I’m probably sadder as an audience member,” Morrow said. “I live four blocks away! Even more than being on stage, it was such a great place to see music. I saw so many great shows there: The Feelies, the Replacements, the Gun Club, Mission of Burma, Pylon, Husker Du, the dB’s, They Might Be Giants, Sonic Youth, Big Black, The Fleshtones, Ted Leo. The list is endless.” Continue reading →