Philly’s DRGN King are celebrating the release of Paragraph Nights tonight at PhilaMOCA. The full-length debut from the psychedelic power pop outfit was released through Bar / None Records on January 22nd and runs the gamut of infectiously good songwriting from the slick “Holy Ghost” to the party-ready “Wild Night.” More information for the all-ages show with Dangerous Ponies, Walking Shapes and Idle Idols can be found here. Stream Paragraph Nights here and watch DRGN King’s Dominic Angelella perform a solo, stripped-down version of “Holy Ghost” at Sofar Sounds from last weekend below.
Drawing influences from Talking Heads, Spiritualized and local 20th century painter Andrew Wyeth, Philly’s KC Jones has created a body of work that continues to reveal its complex nuances many listens in. 2012 saw the release of his RecklessEP, an exploration of drifting, ambient rock with some surprising instrumentation; the title track pairs the slow drawl of a violin and a pizzicato coda with a War on Drugs-esque bass line that Dave Hartley would be proud of. Throughout the EP, Jones’ vocals recall those of Tim Showalter (Strand of Oaks), with a weary but sturdy grasp on life and all its tribulations.
Moving forward to 2013, KC Jones released the full-length Sounds From the West just last week. West takes Jones’ sound in a new direction, moving from the electronic pop of lead track “So Sad” to the rock-structured “Hiding Behind Glass.” Named for Andrew Wyeth’s painting “Christina’s World,” West “follows a singular journey through the disconnect of life in a time of social and political strife.”
KC Jones will play Johnny Brenda’s on Saturday, February 2nd with The Great Unknown (celebrating the release of So Strange and Loud) and Ali Wadsworth. Tickets and information for the 21+ show can be found here. Stream “I.O.U.D.” from Sounds From the West below and download the name-your-price album on Bandcamp here.
The latest edition of our Key Studio Sessions compilations is out today – now streamable and downloadable from Soundcloud! Dig into the best of what we’ve been doing since May with The Key Studio Sessions Vol. 5, including some sprightly indie pop from The Spinto Band, driving country-folk from Carsie Blanton, funk jams by Swift Technique and hip-hop from Ground Up. Special thanks to guest engineer Jeff White and production assistants Fred Knittel, Madeleine Lesperance, and Dan Malloy as well as photographers Kate Bracaglia, Eric Ashleigh, David Kain, Michael Passanante, Kevin Kennedy, Rachel Barrish and Bryan Shreck for sharing their work.
The fourth annual 2nd Street Festival took over a bustling strip of Northern Liberties yesterday afternoon, filling some ten blocks with artists, crafters, local food vendors, and lots of music. Check out the gallery above for a photo recap of the street fair action, along with performances at The Piazza at Schmidts by Lushlife, The Great Unknown and Man Man – who wrapped up their early evening carnivalesque set just before storm clouds descended and the skies opened.
Here at The Key, we toss a fair heaping of free downloads your way, so it’s completely understandable if you miss a few. Here are our top five bits of digital music from the past week:
Richmond, Virginia musician Matthew E. White is releasing his album Big Inner on Hometapes/Spacebomb Records on August 21st, and plays the TLA on Oct. 11 with The Mountain Goats. This week, his song “Big Love” was a My Morning Download, and you can get it below.
On the heels of making an XPoFest splash a couple weeks ago (and tearing up The Barbary last week), Work Drugs released another track for free download from their album Absolute Bearing. Download “The Art of Progress” below – the band says it was “originally written in 1994 as a response to U.S. President Bill Clinton and Russian President Boris Yeltsin signing the Kremlin accords.” You can also watch the music video here; Work Drugs next plays Philadelphia on Aug. 31 at Johnny Brenda’s.
Family Band celebrated the release of its excellent new record Grace and Lies this week by playing the First Unitarian Church’s side chapel, recording a Live at the World Cafe session and appearing live on the air for XPN2′s Folkadelphia. You can download their Folkadelphia performance of “Ride” below.
Northern Liberties’ 2nd Street Festival is going on today, and one of the great Philly bands playing the main stage at the Pizza at Schmidt’s is The Great Unknown, who were spotlighted in last week’s Key Studio Session. Download their performance of “Borrowed and Temporary” below, and catch them this afternoon at 4:15.
The Fourth Annual Second Street Festival kicks off today in Northern Liberties. The section between Germantown and Green Street will be closed off from noon to 10 p.m. for a free concert, festivities and fun. There will be musical acts on four different stages, sponsor tables, vendors selling food, drinks, jewelry, clothes, and other goodies. At 3 p.m. there will also be a pie eating contest at the Germantown stage. I might very well be entering, so that will be quite a sight to see.
If you’re planning on not staying too late in Northern Liberties, head over to World Cafe Live to see Steve Kimock‘s Summer Tour. Kimock is known for his improvisational stylings ranging from jazz to world fusion to funk and anything that inspires him at the time. He will be performing tonight along with Bernie Worrell. The show starts at 8 p.m., tickets are $20-30. Below watch a short video preview of the tour.
When it comes to cosmopolitan country music, The Great Unknown are a reliable local source, making mellow moves these past few years to Jordan “Tuck” Burger’s emphatic midtempo drumbeats and ringing out the three-part harmonies with lead singer and songwriter Todd Henkin at the center. The Philly four-piece’s new album, So Strange and Loud, blows its sound open into something more lush and expansive, big on the crescendos and shout-out-loud refrains. Before, they might have been Philly’s answer to The Band (for those who didn’t already consider Dr. Dog such); now, they could be (dare I say it?) our own Dawes. Their Key Studio Session, recorded in the round last week, kept things relative downtempo and contemplative, in classic Great Unknown style, but just you wait till they open for Man Man at the 2nd Street Festival this Sunday; Henkin promises electric guitars, organs, amps and a whole lot of energy.