At last September’s Philly Music and Arts Fest, Philly rapper Raj Haldar and Austin-based producer Botany debuted material as The Skull Eclipses. Haldar brought some fire that night, piquing interest for his new project, though to be fair current fans of his other nom de plume Lushlife were already plenty familiar with the level of focused intensity and urgency in Haldar’s lyrical delivery, and all the thoughtfulness with which he crafts a verse.
In the below interview, conducted later that evening, Haldar seemed more than satisfied with their first outing. He was just a bit opaque about this project back then, by necessity, but at the same time you could see him wrestling a bit to keep his exuberance for it pent up. He talked openly about his work as Lushlife, and about what he described as an organic transition from being a recording auteur to now entrusting the beats to the capable hands of a skilled producer. Haldar shared his thoughts on Philly, too, from the perspective of an artist who’s spent significant amounts of his life and recording career in London, New York, and Los Angeles as well, and the unique position to be able to comment on the pros and cons of life both as an aspiring and professional recording artist informed and impacted by those communities.
Prior to their stage premiere at World Cafe last Fall, The Skull Eclipses had issued their first single, “Totality Piece,” featuring Philly native Mary Lattimore on harp, having timed it as a soundtrack for viewing the solar eclipse in August. This year, they’ve lined up international tour dates in support their upcoming record release, including a performance at Johnny Brenda’s on Friday, March 9th. More information can be found here. Continue reading →