Bedouine, the nomadic solo project of L.A.-via-Syria artist Azniv Korkejian, headlines Johnny Brenda’s tonight with support from Domino Kirke and the fresh-off-of-tour Rosali. Known for 60’s- and 70’s-inspired folk tunes, Bedouine released a debut self-titled album this past summer. Find tickets and more information on tonight’s show on the XPN Concert Calendar. Continue reading →
There’s nothing quite like a mid-fall gig at First Unitarian Church, except, of course, the fact that it felt increasingly more like a show in the middle of the dog days of summer with each step taken down to the basement on Friday night. After all, isn’t that the charm of it? Forfeiting sanity, personal space and healthy body temperature regulation just comes with the territory — and there was no better place than here to hold Joyce Manor’s back-to-back sold out Philly dates. Supported by New York up-and-comers Crying and alt heavy-hitters The Hotelier, the night was a showcase of powerful emotions, manifested in intricately diverse forms. Continue reading →
We’re halfway through July and The Hotelier has had quite a year already, having just released their third studio album Goodness in May. You might have heard about it because the Massachusetts alternative band totally shreds, or maybe because their latest album cover features a bunch of nudists. Either way, The Hotelier is worth your attention and their show tonight at Union Transfer is sure to be epic. Tickets and more information can be found by heading over to the XPN Concert Calendar. Get a feel for Goodness by checking out the track “Piano Player” right here. Continue reading →
The Title Fight / La Dispute co headlining tour seemed to be the pinnacle of tumblrcore tourdom. Both bands had made huge strides in the in the punk and post-hardcore world and this paring seemed to encompass everything the genres have to offer. How well the tour actually went over, though, is up for debate. Continue reading →
Here at The Key, we’ve gone through four year-end best-of seasons since launching in August of 2010 without weighing in on top albums. Why did we change that this year? Simply put: music in 2014 was outstanding. On the local front, on the national front, from pop to rock to experimental and hip-hop, there was a tremendous offering of front-to-back solid records. Annie Clark got mind-bendy on St. Vincent; Tim Showalter got emotional on HEAL; Sylvan Esso caught us by surprise on their self-titled debut; Cayetana blew up in a big way on their debut Nervous Like Me, voted the best record of the year by our staff of contributors. To narrow it down to the top 15 albums of 2014 is to exclude hundreds of other worthy inclusion, so you can read our contributors’ individual top fives here. Then again, there is power in consensus, and these are the albums we collectively agreed were the best. Continue reading →
“So who’s doing the favor?” asks Michelle Zauner. “Sheryl Crow is doing Kid Rock the favor. She’s also playing all the cool guitar licks and Kid Rock’s just like G-C-D.” The frontwoman for Little Big League is hypothesizing with her performing partner Christian Holden of The Hotelier about a song that a lot of the music intelligentsia doesn’t take particularly seriously, the sentimental single “Picture” from Rock’s 2001 album Cocky. Continue reading →
DIY punk’s openness, accessibility and ability to survive (and thrive) hinges upon the existence of the right mix of venues. For the most part, Philadelphia has just that. The scene here is so nurturing that just about anyone can start a band, write a few songs, practice them and eventually, play a show. That conduciveness can almost seem passé sometimes just because we’re so acclimated to it, but the reality is that it’s just not like that in most cities. It takes a lot of hard work, some clever maneuvering, and the right mix of personalities to save a subculture from stagnation. In Philadelphia, that means a plethora of non-traditional, not-exactly-legal venues. Pennsylvania’s draconian alcohol laws, along with operating costs that are almost universally prohibitive for broke punks, mean that the vast majority of all-ages punk shows here are happening off the grid in musty basements, dirty kitchens and cavernous lofts, which makes for a uniquely wonderful, but perhaps unsustainable experience.
Daniel Anderson wants to create something sustainable. Since 2011, he and his roommate Ruben Polo have run local label Kat Kat Records, while booking shows both in their own West Philadelphia basement and at others across the city. They’ve also booked festivals of their own, beginning with Kat Kat Phest and culminating with the inaugural TWOB Fest this weekend, which will see local favorites like Kite Party, Marietta and By Surprise performing alongside out-of-town acts like Laura Stevenson, Sundials and The Hotelier to raise money for an all-ages, DIY show space in Philadelphia to hopefully open in the fall. Continue reading →
A co-headlining tour featuring Saint Louis’ Foxing and Worcester, Massachusetts’ The Hotelier brought an incredible lineup of bands to The Fire Sunday night. Two popular regional acts played alongside the touring artists, both of whom boast well-received new releases, making for a night of punk so exciting that it was sold out well in advance.
Seattle Surf rock / doo wop quartet La Luz headlines MilkBoy tonight. The band formed in 2012 with Shana Cleaveland on guitar (who’s also a part of the Curious Monkeys), Marian Li Pino on drums, Alice Sandahl on keyboard and Lena Simon on Bass. Two years ago, it released a spectacularly catchy album Dump Face. Last year, they followed it up with another more rock-oriented album, It’s Alive. Listen to the sultry pop ballad “Call me in the Day” below. Get more details about the show at the XPN Concert Calendar. Continue reading →
It feels like we just talking about beginning-of-the-summer shows, and somehow it is almost August. It’s still summer though! So make sure you take advantage of the outdoor weather as much as possible at these 5 awesome shows throughout August. Continue reading →