“David, very nice to talk to you.”
“Oh, well, you say that now.”
When I think of the days of the so-called Alternative revolution, memories of a musical underground poised to take center stage after Nirvana’s major label colossus Nevermind finally cracked the very polished veneer of the 1980s, I remember being in a state of constant epiphany. Entering relevancy were bands that had been working tirelessly throughout the prior decade, stretching their music across the country via a self-made and self-sustaining network of venues, fanzines, and record stores, and the record labels that saw fit to produce their music. Around this time, The Jesus Lizard was one of the era’s most threatening rock bands.
The Jesus Lizard, whose origin can be traced back to Austin, Texas in 1987, were nihilism personified, a beautifully antagonistic and often vulgar foursome who, in their early days as artists for Touch and Go Records, earned the title of Best Live Band. Unfiltered, blistering, and energized, it was vocalist David Yow who matched every decibel that the other band members (guitarist Duane Denison, bassist David Wm. Sims, and drummer Mac McNeilly) could conjure with sweat and (likely) blood, his clothing-optional and confrontational style the stuff of legend. “Well, I like it when things get out of hand,” Yow explains. “I always hoped that things would get out of hand because it’s a lot more fun that way. I mean, pretty much for everybody except David and Duane. Other than maybe dressing up in a funny costume or something like that, I rarely if ever had a pre-conceived notion of what I was going to do other than just play the show.”
Following a successful run of performances last December, and an invitation to perform at this year’s Riot Fest in Chicago, The Jesus Lizard decided to hit the road again, adding eight more shows to the series — including one tonight at Union Transfer. Prior to December, the band hadn’t toured since 2009. Continue reading →