Written with my friend and seasoned Phish fan Pat James
Tuesday night’s Phish performance at the Mann Music Center was not only highly anticipated by the throngs of Delaware Valley Phaithful, but also viewed with cautious optimism, as an ominous forecast threatened to pour heavy rains and storms on the thousands of lawn and terrace attendees. Those present at the Mann shows a couple years ago will recall a similar event, where all those on the lawn were directed back to their vehicles until the storm had passed over. Perhaps coincidentally, the Mann Center remained out of the storm’s path, and the good times only rolled on from there. Sensing the anxiety from the unpleasant forecast, Phish provided its fans with an absolute treat in the first set, with many familiar favorites mixed in with covers, rarities and brand spanking new material.
A tight and energetic “Wilson” opened up the first set (with a brief “Character Zero” tease in the warm-up moments). Trey Anastasio seemed loose from the onset, with some nimble guitar fills during the Gamehendge classic. Next up was Son Seals cover “Funky Bitch,” which continued the great energy from the first song. This Mike Gordon-sung tune had the band in sync early and in my opinion portended well for the rest of the evening (a personal favorite). “No Men In No Man’s Land” is a funkified fan-favorite and provided the framework for the foursome’s first jam of the night. Keyboardist Page McConnell explored both his keyboard and organ set-up and Anastasio led a melodic and thoughtfully composed guitar solo. At the conclusion of this song, Trey addressed the Mann crowd and commented on how much the band enjoys playing under the impressive wood canopy (sure beats the E-Centre — and no I’m not giving credence to whatever bank has the current naming rights to the Camden amphitheater). Continue reading →