Tonight, Foster the People, the band that won the world over with their single, “Pumped Up Kicks” from their album Torches, is playing at the Mann Center. They have already had stellar success playing with The Beach Boys at the Grammy’s this past year and just finishing up an appearance at Bonnaroo.
Gina Vespa from diffuser.fm says about their next album:
The band is piecing together ideas for the follow-up to their 2011 studio release of ‘Torches.’ While they’re still in the beginning stages of planning the new record, they have high and exciting hopes for it. As Foster commented to Billboard, “I think it’s going to take a lot of left turns … It’s going to be really celebratory … I think there’s going to be more grit, and I think it’s gonna be extremely percussive.” He also mentioned that the new music will likely be greatly influenced by what he’s been listening to lately, like the Kinks and the Clash.
Tokyo Police Club and Kimbra open for Foster the People at the Mann Center for the Performing Arts tonight at 7:30 PM, tickets are $29.50-36.50, all ages
Below, check out a video for “Warrior” that lead singer, Foster did with A-trak and Kimbra for the new edition of 3 artists 1 song.
REASONS WE CHANGED OUR NAME FROM READING RAINBOW TO BLEEDING RAINBOW:
- We like the name Bleeding Rainbow better.
- It is trippy as shit.
- We didn’t want to get a cease and desist letter from PBS.
- We were sick of being named after a children’s t.v. show.
- We were sick of people fixating on it and making dumb jokes/comments about it. (even though it was our own damn fault.)
- Carrie Brownstein didn’t like the name Reading Rainbow.
Over on The Key’s right rail, you’ll see a new widget featuring show announcements by The Swollen Fox. Since the site launched last year, it’s become one of our go-to spots for up-to-the-minute show announcements (including local bands and nationally recognized touring acts) as well as its comprehensive concert calendar. In fact, The Swollen Fox has become such a dependable resource for us (and, by extension, our readers) that we asked the folks involved if they’d be interested in partnering up with our site—and we were absolutely thrilled when they said “yes.”
If there’s a recent show announcement worth knowing about, you’ll find it in our widget; click on the links to get the full details from The Swollen Fox, and make sure to check out the concert calendar while you’re there.
Even before a single band had hit the stage, this year’s Popped! Music Festival was not off to a good start. Just a few days before the festival, organizers had to make the gut-wrenching decision to move the festival indoors due to the forecasted weather. No one can blame them for the move; they can’t control the weather and it’s certainly not their fault FDR Park wouldn’t be able to survive both the rain and thousands of people pounding its grounds. Nevertheless, no one seemed to be all that happy about the unfortunate move.
For the full review of the entire festival (including a ton of additional photos of each performing act), as well as a comprehensive calendar of upcoming shows in Philadelphia, visit The Swollen Fox. (Thanks to Kevin for sharing his photos with us.)
Earlier this month, while planning out our Best-Of coverage, we reached out to a handful of local scene folks for their input on the best albums to come out of Philly in 2010. Here’s what a couple of them had to say:
Kevin Kennedy,The Swollen Fox Favorite Album of 2010:Strand Of Oaks‘ Pope Killdragon
When recording the follow-up to 2008′s lovely Leave Ruin, Timothy Showatler, the man behind the moniker Strand Of Oaks, made a conscious effort to steer away from the suffering-singer-songwriter (think Bon Iver) image that Leave Ruin gave him. That concerted effort resulted in Pope Killdragon, one of the most beautiful and imaginative albums of the year. With songs about hanging out with JFK, a giant who’s mother was killed by a bowling ball, and Dan Akroyd’s depression following John Belushi’s death, it’s certainly not short on imagination.
It wasn’t just a lyrical change Showalter sought though, he also gave Killdragon a more electric, full-band sound. The one constant is his amazing voice, which was the first thing to jump out at me and the main thing that keeps me listening so obsessively. What all of these elements (the imaginative lyrics, the new sound, and Showalter’s voice) gives us is a collection of devastatingly beautiful songs that will tear your heart out one moment and have you rocking out the next (I’m looking at you, “Sterling”). It also gives us one of the best albums of 2010.
Emily Simpson, Assistant Production Manager at Kung Fu Necktie Favorite Album of 2010:Prowler‘s Wooly Mammoth
When I first sat down to write a blurb about the best local album of 2010, I thought it was going to be next to impossible considering the amount of insanely good tunes being crafted in Philly this year—but then I remembered that hiding somewhere in my collection was Prowler’s most recent release, Wooly Mammoth. Game over. Amongst all of the noise rock, shoegaze, lo-fi, crusty punk, sludge metal, and indie pop that we tend to be overly familiar with, Prowler stands out as being a little weird, but inherently and aggressively unique.
Wooly Mammoth’s longest tune clocks in at a mere three minutes and twenty-six seconds, keeping with the band’s dedication to producing quick, in-your-face dance jams that give you enough time to get into the groove but never wear out their welcome. Percussion throughout the album, courtesy of Tyler Griswald, is consistently innovative and worthy of the dance moves it’ll have you busting in your seat during “Saturnalian.” Ryan Kerrigan’s funky guitar riffs and Mike Stazseski’s bass lines are, as per usual, flawless and perfectly complemented on tracks like “Automagically.” Kat Paffett puts her keyboard skills to use like never before to add that extra bit of boogie, and with a vocalist as captivating and energetic as Keith Greiman, Prowler is almost unstoppably good.
And even so, it gets better. Reef The Lost Cauze and Plastic Little both make appearances on the album in a love-letter-to-Philly kind of way. Colossal, spaced-out, booty-shaking, sassy, and soulful, Wooly Mammoth is the best kind of reflection for the Philadelphia music scene to have in the year 2010.
Prepare yourself to blast off into the funkosphere the minute you press play.