This weekend is the 7th annual Fishtown RiverCity Festival, held at Penn Treaty Park from noon to 6:00 p.m., offering fun family activities, food, and live entertainment. As part of the entertainment, singer-songwriter and XPNFest alum Matt Pond headlines. Best known for his calming, smooth indie rock sound that he played for 15 years in his band Matt Pond PA, the New York artist released a solo album proper in 2013 called The Lives Inside the Lines in Your Hands. Other acts include The Lawsuits, TJ Kong and the Atomic Bomb, Ginger Coyle, and more. Tickets and information can be found at the XPN Concert Calendar. Continue reading →
Doylestown’s Balance and Composure wrapped up their headlining tour Saturday night at Theater of Living Arts. They released their second album The Things We Think We’re Missing in fall of 2013 and have been on the road ever since. Saturday night they played all the jams from this album, along with some older stuff including songs off Separation. Ending a great set, B&C closed with “Notice Me,” a collective favorite among fans. Keeping with the heavy emo genre, California’s Seahaven was the opener during the whole tour. Vocalist Kyle Soto opened with an acoustic “Honey Bee” before getting down and heavy with the rest of the band for “Black and White.” Starting out the night were Philadelphia-bred noisemakers Creepoid (now based in Savannah) who joined the tour halfway through after a long run with Against Me!. Plenty of family and friends came out for the celebration of the two hometown bands. Check out the photos from the show in the gallery below. Continue reading →
World Cafe Live is getting a treat tonight Americana folk-rock band, Goodnight Texas. No, bandmates Avi Vinocur, Patrick Dyer Wolf, Alex Nash, and Bobby Kendall are not from Texas. The name actually came from the geographical midpoint between the songwriters Avi Vincour (of San Francisco) Patrick Dyer (of North Carolina). What a clever way to create a unique name. Their music give you a nice, feel-good, chill vibe; it’s as if you want to sit on the porch with your significant other and watch the sun set. That makes World Cafe Live the perfect place tonight to go on a date. Checkout their song “Maggie’s Farm” below. Continue reading →
After a successful debut showcase in June, the Obscura series is returning to A-Space. The brain child of journalist and promoter Melissa “Lissa Alicia” Simpson, Obscura‘s goal was to gain recognition for hip-hop artists in the West Philadelphia area that had unfortunately slid under the radar. Local rappers Verbatum Jones and The Bul Bey are featured on the bill, as well as Luci Rising, an eclectic songwriter and poet. Click here for tickets and more information. Below, watch The Bul Bey’s music video for “Where I’m From.” Continue reading →
Cut Chemist, né Lucas MacFadden, doesn’t just make beats. He makes vibes. The DJ, producer, and mix-Master (with a capital M) has been soundtracking moments for 20 years now. He got his start with boisterous underground rap crew Jurassic 5 (remember them?)—then also took turns in Latin-funk band Ozomatli and Less Than Jake (yes, really)—in addition to creating his own, mind-blowing jams.
Throughout the years MacFadden has worked closely with fellow DJ and like-minded artist Josh Davis—a.k.a., DJ Shadow. The pair has released four live records together, and share an affinity for creative yet effortless beats. This Saturday, they’ll team up at the TLA for their “Renegades of Rhythm” tour, featuring the music of hip-hop progenitor Afrika Bambaataa. Continue reading →
New Orleans prodigy Troy “Trombone Shorty” Andrews has honed his brand of Jazz Funk to an art form. He’s been strong on the festival circuit, ubiquitous on HBO’s series Treme, and seems to consider Philly his second home. He opened a late Saturday night show (technically Sunday morning, considering the midnight stage time) at the TLA with a jumping version of suite “Slippery Lips / Craziest Things/ Backjump” which showcases both his trombone playing and vocals, which have become more prevalent of late. Continue reading →
On Friday night, Philly rockers Commonwealth Choir performed at The TLA on South Street on the seven-artist lineup of the Bands in the Backyard Summer Sounds showcase. The band’s well-received EP Shirtless is coming up on a year old, meaning they’ve been working more and more unreleased material into their setlist of late, including from their XPoNential Music Festival set last month to their performance on Friday night. Continue reading →
Local haze-pop group Cheerleader join Kristopher Roe of alt-rock stalwarts The Ataris at MilkBoy tonight for the venue’s 15th anniversary. Cheerleader released a new video for its crystalline pop single “Perfect Vision” earlier this month, a track that will be on the full-length follow-up to this year’s self-titled debut EP. The song moves away from the pure haziness of the EP and pulls production influences from radio pop songs, making it a perfect summer anthem alternative. Meanwhile, Kristopher Roe of The Ataris has embarked on a solo acoustic tour of the States, performing fan favorites and requests in intimate settings. Watch Cheerleader’s video for “Perfect Vision” below and get more information about the free show here.
XPN favorite Citizen Cope just announced a fall tour celebrating the tenth anniversary of his second LP, The Clarence Greenwood Recordings, and he will headline The TLA on Tuesday, October 14th. Tickets go on sale this Friday, June 27th at 10 a.m. via LiveNation. Below, watch Cope perform “Son’s Gonna Rise” from the album at the 2011 XPoNential Music Festival with Gary Clark Jr. backing him up.
Last month Atlanta-based indie rock band Manchester Orchestra released their fourth studio album, Cope, via Favorite Gentlemen, the band’s own independent label. To support their new record, the band has been on an extensive spring tour of the US and Canada with Doylestown’s Balance and Composure as well as Kevin Devine (who’s also in Bad Books, band with Manchester’s frontman Andy Hull).
The tour sold out two nights at the Theater of the Living Arts well in advance, and as soon as the doors opened on night two, the crowd rushed inside and two the front. Devine appeared on stage first, dancing and clapping his hands, getting the crowd pumped to songs such as “Cotton Crush” and “I Could Be With Anyone”. Throughout his set, Devine jumped up, down and across the stage, always rushing back to the microphone to make sure he didn’t miss a lyric. He closed his set with “Brother’s Blood,” performed full band, leaving the crowd in awe.
Next to take the stage was melodic indie-rock band Balance and Composure, on tour in support of their second LP The Things We Think We’re Missing, which was released last year via No Sleep Records. Opening their set with “Quake” off of their first LP, Separation, Balance made a perfect entrance. A majority of the set drew from their newest record including singles “Reflection” and “Tiny Raindrop.” On stage, the band used fog machines which might have made it difficult to see the band members, but it did enhance their set aesthetically. Closing with two new songs, Balance and Composure played a powerful set championing their latest material.
Manchester Orchestra opening their headlining set with the acoustic track “Deer”, the first song off of their LP, Simple Math, and the crowd was instantly covered with goose bumps. Playing a different set than the night before, the band played an interesting array of songs, including a Bad Books song with Kevin Devine. Promoting their new record, Cope, Manchester Orchestra performed “Top Notch,” as well as album title track, which the crowd enjoyed (based off of the crowd surfing and the mosh pit). The set closed with slower songs “Virgin” and the title track from Simple Math (which they did not play the night before). After their set, the crowd cheering “one more song” for several minutes chanting for an encore that never came – the sound engineer announced after fifteen minutes that the show was over and asked the crowd to leave. Even so, Manchester Orchestra played a tremendous set that left me and the audience speechless.