War on Drugs shows becoming a major event is a trend I can get behind. Last night, the Philly psych-rock favorites kicked off their winter tour by headlining the Tower Theater – their biggest-ever hometown show, preceding a run through the largest U.S. venues they’ve played to date.
It was the sixth time I’ve seen them perform and, like every other time, just when I think they can’t get more exciting, they up the ante. Continue reading →
Kristian Matsson, otherwise known as The Tallest Man on Earth, has just announced an extensive upcoming tour, in which he will grace the Tower Theater come May 16, a few days after the release of his upcoming album Dark Bird Is Home. This is the latest release since 2012’s There’s No Leaving Now. Tickets will go on sale on Friday, Feb. 27.
Comparable to the likes of Bon Iver and Sufjan Stevens, the Swedish singer-songwriter has given us a taste of the upcoming album with “Sagres,” a notably more involved track than his earlier, acoustic-centric material. Continue reading →
It was a bitter cold evening last night in Upper Darby, where many traveled to see the British indie rock group Alt-J on their headlining tour in support of this year’s This Is All Yours. After the global success of their debut An Awesome Wave, which won the Mercury Prize in 2012, the band start getting the rep as “The next Radiohead.” Last night, they definitely lived up to it.
Primus has nothing to prove to anybody. They are at a golden point in their career that very few of their 90s contemporaries have been able to reach. They have paid their dues, crafted a completely unique and totally unmistakable sound, worked tirelessly for years to carve out a loyal cult of a fanbase, and now can essentially expound upon any creative whim they happen to have at any given time. This point was driven home at their Primus & The Chocolate Factory tour opener at The Tower Theater last Wednesday night.
One listen to his outstanding 2014 LP Worlds and it’s evident that Chapel Hill’s Porter Robinson stands out tremendously from the electronic dance music pack. It boasts a sophisticated sense of structure and song, of melodic and textural ideas that are the anthesis of the formulaic build-to-crescendo-to-bass-drop template that’s been all over the festival and club circuit for the past four or five years. As our Patrick Meehan pointed out in his concert preview last week, a quick disillusionment with the dance music factory led Robinson to refocus on writing what he viewed as a personal statement.
While his outside-the-box approach to the record is clear and commendable, his approach to performing, on display at The Tower on Friday night, still sits very much within the EDM DJ wheelhouse. Continue reading →
Last Wednesday, alternative rock staples Rise Against put on a show to a packed crowd at Upper Darby’s Tower Theater. The Chicago band, touring in support of their 2014 album The Blank Market, brought along solid openers, beginning with Radkey, a three piece punk band from St. Joseph, Missouri. Continue reading →
Epic (adj): heroic or grand in scale or character. It is perhaps one of the most over- and misused words in the English language. Yeah, that grilled cheese may have been tasty, but it wasn’t quite as monumental as Odysseus. But I’ll tell you what was epic: English prog-rock legends Yes’ concert at the Tower Theater. It would have been easy to doubt a group whose 46 years together do not by any means belie them, not to mention that founding singer and frontman Jon Anderson left the group in 2008. I don’t think Yes cared about these things. When you’re the band that played the most attended festival-style show in United States history here in Philly (the “Spirit Of Summer ’76” show at JFK Stadium on June 12, 1976 for 130,000 fans), a few grey hairs (or more precisely, a full head of white ones, but who’s counting?) aren’t going to get in the way of putting on a show of, that’s right, epic proportions.
Yes opened up their extremely sold out Tower Theater show with their 1972 Close To The Edge LP played in reverse. What became immediately clear as they rumbled their way through “Siberian Khatru” was that Yes’ sound is massive, which has a hell of a lot to do with founding bassist Chris Squire’s bold playing (and as it happens, his appearance isn’t much different). And while guitarist Steve Howe may have gained a few wrinkles here and there, his hair is as long as ever, and more importantly, he still knows his way around a guitar like his 5 consecutive “Best Overall Guitarist” victories in Guitar Player magazine would suggest. That, or the 3,000-odd fans bellowing out their love for him during the intricate flamenco guitar solo piece that is “Mood For A Day”. Oh, and Jon Anderson’s replacement, the similarly named Jon Davison, wasn’t half bad. Wait, scratch that. He was, to use appropriately English lexicon, bloody amazing. I can honestly say that I have never seen a frontman gesticulate, prance about and sing more passionately that Davison did. His oriental patterned shirt was pretty cool too.
After playing a couple new songs, both of which were decent enough, Yes made their way through all of the 1971 LP, Fragile. All of it. The thing about that album that I didn’t realize until I saw it live is that each song seems better than the last. Sure, the record’s opener, “Roundabout” was a hit, but “South Side Of The Sky” easily makes my top 10 guitar riffs list, and “The Fish [Schindleria Praematurus]” is probably the second best rock song ever to be written in 7/4 (“Money” by Pink Floyd takes precedence in my book, and so would Led Zeppelin’s “The Ocean”, but that song isn’t really in 7/4). They encored with the timeless classic, “I’ve Seen All Good People”, which, come to think of it, includes one of the best 3-part harmonies known to rock & roll. As for the final encore, “Starship Trooper”, I’m going to have to refer you back to the beginning of the review, because no word describes it better than “epic”. Keytar and guitar (or should I say, geetar) solos from Geoff Downes and Steve Howe respectively were unbelievable. I left the room in shock. Yes still rocks.
Every music fan has their own personal list of all-time favorite concerts. But imagine if you were old enough to experience a legendary rock and roll act like Chuck Berry in his prime, while in the same breath catching emerging bands like The Black Keys and Nirvana before they got huge. It’s pretty likely you never got to do either of these things. But there is one hypothetically feasible way to make it happen: invent a time machine. So let’s pretend for a minute this doable – here’s what I’d go back in time to see. Continue reading →
As his tour in support of Mountains of Sorrow, Rivers of Song winds back through Philadelphia, local musician done good Amos Lee will swing by City Hall tomorrow afternoon to be honored by Mayor Michael Nutter. The singer, whose roots lie in South Philly and South Jersey, will receive a mayoral proclamation for both his musical output and his work with charities like Musicians on Call and Farm Aid.
In an interview with the Philadelphia Daily News’ Molly Eichel, Lee said the city remains near and dear to his heart. “I have great memories of neighbors and neighborhoods and the intensity that Philadelphia offers,” Lee told the Daily News. “I love it. It’s my home. It’s my family’s home. It’s a tremendous honor to be recognized by the city, and I appreciate it greatly.”
Lee will be honored at City Hall tomorrow at 1 p.m. He performs tomorrow night at The Tower Theater; tickets and information on the show can be found via the XPN Concert Calendar. Watch a fan video of Lee’s recent Free at Noon performance below.