The War on Drugs make a hometown appearance tonight at the Tower Theatre to kick off a spring tour. The local-turned-national band continues to play in support of last year’s Lost In the Dream, a record that landed at the top of many year-end lists. It took 2011’s Slave Ambient and expanded on the introspective, layered dream rock in a cinematic and transcendent way. Follow along with the band’s banner year here and watch them perform “Red Eyes” live in Barcelona below. Tickets and information for tonight’s all ages show can be found here.
Year-End Mania is the Key’s survey of the things below the surface that made 2014 awesome. In this installment, XPN program director Bruce Warren shares his favorite albums of the year.
There’s always this internal debate I have with myself about year-end lists, and it’s always this battle between whether I should go with “best” or “favorite.” “Best” is usually saved for the “critics;” which is not to say I am one or not. I’ll leave it to the Pitchforks, the New York Times and the Robert Christgaus of the world to attach some higher level of artistic and cultural significance and importance to records.
But in so many ways, I am a critic. I just don’t use big words. Music is “best” when it has singular appeal to anyone who wants to say “this is the best album of the year,” or “this album is one of the top five albums of the year.” You see, everyone’s right and everyone’s wrong when it comes to what “the best” is. When it comes to my albums of the year, I typically list the records that are my favorite. Are they the best? Sure they are; to me anyway. And if for some reason some of my favorites hit the critics year end polls as “the best” (in a music critic kind of way) then I guess I get bonus points. So here they are: My favorite five albums that entered into my musical universe in 2014. Continue reading →
Here at The Key, we’ve gone through four year-end best-of seasons since launching in August of 2010 without weighing in on top albums. Why did we change that this year? Simply put: music in 2014 was outstanding. On the local front, on the national front, from pop to rock to experimental and hip-hop, there was a tremendous offering of front-to-back solid records. Annie Clark got mind-bendy on St. Vincent; Tim Showalter got emotional on HEAL; Sylvan Esso caught us by surprise on their self-titled debut; Cayetana blew up in a big way on their debut Nervous Like Me, voted the best record of the year by our staff of contributors. To narrow it down to the top 15 albums of 2014 is to exclude hundreds of other worthy inclusion, so you can read our contributors’ individual top fives here. Then again, there is power in consensus, and these are the albums we collectively agreed were the best. Continue reading →
Year-End Mania is the Key’s survey of the things below the surface that made 2014 awesome. In this installment, contributing writer Sameer Rao talks about songs that make you feel.
In case you didn’t read and feel what I wrote and felt last year, let it be known far and wide that 2014 was yet another hell of a year for nerve-poking chords, chill-inducing croons, and all manner of music that brought on heavy cases of the feels. And since this was a banner year for local artists of all stripes, we’re making this one Philly-exclusive. Get your tissues out for this list. Continue reading →