Since announcing their new home at Atlantic Records back in 2015, we’ve been waiting with baited breath for new music from The War on Drugs. And waiting, and waiting. And today, we have finally have some news: the band’s first song since 2014’s acclaimed Lost In The Dream LP will be called “Thinking Of A Place,” and it comes out on Record Store Day. Continue reading →
Percussion collective Philly Drum Project announced this months Beats, Brews, and Banter, a free event with the goal of connecting Philly musicians in a safe environment to share ideas and network. Set to take place this Friday (November 4th) at the grand opening of Philly’s brand new drum shop Philadelphia Drum & Percussion, the event’s special guest is none other than The War on Drugs’ own beat machine Charlie Hall.
The whir and steady crackle of coffee grinders hard at work fill Higher Grounds, a small trendy coffee shop in Northern Liberties. It is the kind of place that revels in its unique blend of styles. The flea market seating, the posters and paintings and art pieces whose only discernible style is a difficult to define panache. It has a confidence and intentionality that resists coming off as anything but genuine and patiently accumulated through years of collection. Sitting across from me towards the back of the shop is Mike Polizze, front man and songwriter for Purling Hiss, whose aesthetic, and brand new album High Bias due out October 14, feel equally as earned. Continue reading →
Many musicians scan the likes of Craigslist on a daily basis, seeing what kinds of instruments and gear pop up around their city. For musicians in the Youngstown, Ohio, area, one 1969 Fender Jaguar stands out. And it’s not just because of it’s worn, vintage beauty.
It’s because it belongs to War on Drugs guitarist/keyboardist Anthony LaMarca. LaMarca plans to donate all of the money received from the guitar to those affected by Multiple Myeloma, a form of bone marrow cancer that he has been receiving treatment for. The idea to donate his own possessions came from a chance phone call he received. Continue reading →
The War On Drugs took over the world two years ago with their insanely great Lost In The Dream record and a lengthy tour, but they’ve been relatively quiet recently (minus the also insanely great Grateful Dead cover that was released last month.) During his own personal downtime, TWOD drummer Charlie Hall sat down with Punch‘s Drew Lazor to talk about booze, touring, music, and more booze. Continue reading →
A highly anticipated collection of covers of Grateful Dead songs, Day Of The Dead, is being released on May 20th. Curated by Aaron and Bryce Dessner of The National, the all-star collection features 59 songs, with contributions by The Lone Bellow, Jim James, Wilco, the Flaming Lips, Mumford and Sons, Kurt Vile, Lucius, Lucinda Williams, Bela Fleck and many others. Continue reading →
Confession: I’ve never considered myself a “Deadhead.” Every once in a while when I was growing up, my dad would play “Friend of the Devil” or “Brokedown Palace” (pretty much just American Beauty). I’ve always enjoyed their music, but I’ve really only scratched the surface when it comes to their immense catalogue of live recordings, Dick’s Picks, and journeys into psychedelia.
But when it comes to songwriting and capturing the American experience, The Grateful Dead really were one of the greatest bands of the past 50 years. The National knows this, and apparently 58 other hugely successful bands and musicians do as well. That’s why the Dessner’s (Bryce & Aaron of The National) have assembled the outrageously massive Day Of The Dead tribute compilation, which features everyone from Bruce Hornsby to Wilco, Philly’s The War on Drugs to Bob Weir himself covering classic Dead tunes from their earliest stages up until present day. Continue reading →
After several years of working on a benefit compilation of Grateful Dead covers, The National have announced the track list and contributors of their Day of the Dead box-set. The 59-song album is the second all-star project members of The National have put together for AIDS organization Red Hot, following up 2009’s Dark Was the Night.