The Title Fight / La Dispute co headlining tour seemed to be the pinnacle of tumblrcore tourdom. Both bands had made huge strides in the in the punk and post-hardcore world and this paring seemed to encompass everything the genres have to offer. How well the tour actually went over, though, is up for debate. Continue reading →
From outside of Wilkes-Barre, Kingston, PA punk/harcore rockers Title Fight release their third album, Hyperview, on Anti- Records on February 3rd. The band recorded the album at Studio 4 in Conshohocken with producer Will Yip. Writing about the album for NPR Music, Lars Gortich says: Continue reading →
With the release of “Chlorine” back in December and now “Rose of Sharon,” Kingston PA rockers Title Fight have done a complete-180 with their style and sound. After signing to LA-based Anti- Records last year, the indie hardcore band announced the February 3rd release of Hyperview and began teasing it with videos. Continue reading →
From the opening notes of flanged-out guitar that quickly turns to crushing distortion, the song “Chlorine” makes it pretty clear that Kingston, PA post-hardcore outfit Title Fight made its new record with Conshohocken producer Will Yip. It’s his signature sound – a throwback to amped 90s rock and roll – and it blends perfectly with Title Fight’s balance of aggression and melody. Continue reading →
Kingston, Pennsylvania crew Title Fight marked its ten-year anniversary this fall, and threw a big celebration in true punk rock style: with a sold-out five-band all-ages bill at an American Legion hall in nearby Glen Lyon. Joining them were fellow local noisemakers Balance and Composure and Daylight, along with Wilkes-Barre hardcore band Dead End Path and touring act Justice (a punk band from Belgium, not the dance band from France). In addition to their ten years and dozen or so releases together, Title Fight also had a forward-thinking cause to celebrate: the new Spring Songs EP 7″, available now via Revelation Records. Check out photos from the show in the gallery below.
Before heading off to tour Australia and Japan, Daylight put together a quirky music video for “No One’s Deserving”. The video opens with a man singing along to the lyrics “Afraid / to be myself / alone / I can’t be loved” as he puts on a mouse mascot head. Watch the physical and personal journey this mouse-man takes below, and listen for Daylight on The Key Studio Sessions on tonight’s Philly Local show on WXPN.
Title Fight‘s latest release, a four song EP entitled Spring Songs, is another move forward for the Kingston punk band. Some of these songs could fit into their 2012 LP Floral Green, but others like the single “Be a Toy” are fuzzier and more laid-back than older releases. The guitars are as lazy as the vocals, as Jamie Rhoden sings “Being used / I’m used to it” in the most melancholy tone. This EP is definitely a change up for Title Fight, and it is awesome to see them write songs that sound different, but are just as good as their back catalog.
In the video for “Be a Toy,” Title Fight’s friend Susy Cereijo documents the band’s recent trip around Europe: showing show clips, the beauty they saw on their travels, and the band’s everyday life. Check out the retro video, which was shot on Super 8 film, below. Pick up Spring Songs here, or stream it after the jump.
The punk rock guys from Kingston and Doylestown, PA put on a phenomenal hometown show at a sold out Union Transfer last week. Both Title Fight and Balance and Composure displayed just how heavy they can be, and how tight they are, even with stage divers running by them for almost the entirety of the show.
After opening sets from poppy Lehigh Valley duo Slingshot Dakota and Portland, Maine’s Cruel Hand, Balance and Composure kicked off a set of songs mostly from their second album The Things We Think We’re Missing. These tracks sounded huge, and even better than they do on the record. The grittiness in the music came through very well, especially as Jon Simmons poured his heart out in every way from melodies to all out screams. As they played “Parachutes” and “Notice Me” it was as if the band transcended into a space between beautiful and grungy, bringing the chanting crowd along with them. With all the explosions and layered guitar grooves in their powerful music, Balance and Composure has continued to progress as one of the best bands in the area.
Title Fight is a band that has not only put out great records in the recent past (see Floral Green), but has risen to prominence in the national punk rock scene for their intense live shows. Title Fight came out as hard as they always do, head banging and thrashing all over the stage, dodging the multitude of fans that had made their way on to the stage. They did not skip a beat the entire time (except for an injury that caused the show to be put on halt for some time), and picked up one song right as the previous one had ended. Playing old favorites such as “Symmetry” among newer songs like “Secret Society,” they kept the crowd on their feet and in the show. Of course, the crowd was yelling lyrics right back in the band’s face and they seemed to know every single word. The performance was heartfelt, and the ecstatic reaction from the crowd only reinforced just how good this band is.
Within a few hours of Title Fight‘s new single “Be A Toy” popping up online this week (including yesterday’s Pitchfork nod) folks were already weighing in on the Kingston, Pa. punk outfit’s latest progression. On YouTube and Soundcloud, some talked of the band blending their aggressive old and melodic new sounds and not wanting to be pigeonholed by the pop-punk world. Others drew fond comparisons to The Strokes and Weezer. My favorite, from YouTube user Christopher7937: “Dear Title Fight, I know you change your sound every 7″/LP but please keep this. It’s the jaaaam”
Listening to the track, which will appear on the band’s Spring Songs EP, due out November 12th on Revelation Records, its immediately apparent that this is Title Fight at its most direct and accessible – and that for this band, accessibility does not mean wimping out on volume or distortion. For a crew that’s built its rabid fan base from the ground up, without much mainstream attention outside of the alt-punk world, this signals a brilliant middle ground that could both usher in new listeners while maintaining the loyalty of the old ones. Check out “Be a Toy” below, and get more information on Title Fight’s headlining Union Transfer show on October 12th here.
Settled between a row of gleaming gold records and a wall of shiny metal knobs, producer Will Yip looks at right at home behind his Neve console in Conshohoken’s Studio 4.
He and Wayne Wildrick, guitarist for Jersey-based pop punk band Man Overboard, listen to drummer Joe Talarico play in the next room. He’s tracking for a fast, new and un-demoed Man O song, and still not quite getting it despite take after take. Yip gives direction on hitting the crash and keeping tempo as the drummer’s bandmate offers more pointers in reference to the other instrumentation in the song. The click track whirs by again and again; the BPMs are so high, it’s more like a hum than a rhythm.
“How is it possible for any human to play along with that?” Yip asks jokingly. But as a drummer who’s played every style from hardcore to R&B, he probably has some idea.
There’s a wealth of knowledge and experience, coupled with a can-do attitude, that has brought bands to record with Yip in Studio 4 since he was just barely out of his teens. Now, the 26-year-old remains laid back and constantly smiling despite the pressure one might think would come with recording some of the best bands in the current punk/pop punk/hardcore scene, and working to bring out the best in all of them.
“He’s something else, that’s for sure,” Wildrick says of working with Yip. Man Overboard recorded for the first time with him in January for their third studio album Heart Attack, and credits Yip with its success. “He brings the performance out of bands. It’s just a whole other thing.”
From hometown heroes of the greater Philadelphia area – Circa Survive, Title Fight, Balance and Composure and Daylight – to national acts, bands from every area of alternative have been flocking to Yip for his stamp of production approval. In turn, he’s helped these bands reach vocal and instrumental lengths they never dreamed of, given them releases worthy of the Billboard Top 200, and most likely became one of their best friends in just that short month or so spent in the studio.
All of Yip’s efforts, from his work ethic to his approachable demeanor, are a part of his 30-year rule. Continue reading →