Our latest Indie Rock Hit Parade Live Session is with a trio of artists whose collaboration might take some explaining. Chaz Bundick has released several albums as Toro Y Moi (and one as Les Sins), and twin brothers Jonathan and Jared Mattson have released many of their own albums as the Mattson 2. When the Mattsons were opening for Toro Y Moi on a recent tour, talk of a collaboration naturally came up. Star Stuff, credited to Chaz Bundick Meets The Mattson 2, was released earlier this month through Bundick’s own Company Records. Combining Toro Y Moi’s pop/R&B leanings with the Mattson 2’s omnivorous eclecticism, the album is a collision of both artists’ finest. Early in the morning on Easter Sunday, Bundick and the Mattsons came to our studio to camp out and record a live session. Continue reading →
You’re in for a real doozy of an Indie Rock Hit Parade tonight, friends! Listen at 11pm ET on WXPN, not too long after Making Time RADio with Dave P, for a full two-hour show that has special things galore. First up is a new IRHP Live Studio Session, as Chaz Bundick (Toro Y Moi) and the Mattson 2 perform selections from their new collaboration, Star Stuff. The album is a mind-expanding collection of psychedelic rock, electronica, jazz and just about everything else the trio can throw together. Don’t miss these three virtuosos battling it out in our studio!
In the midnight hour, we’ll preview a few Record Store Day releases, including reissues of classic albums by Luna and The Sundays, plus an epic new track from The War On Drugs. Preview some of the new things you’ll hear in the mix below…
From Les Sins to PLUM to his production work for other artists, Chaz Bundick has always kept busy outside of his main output as Toro y Moi. Now, he’s teaming up California brothers in jazz outfit The Mattson 2 and dropping the monikers altogether for, you guessed it, Chaz Bundick Meets The Mattson 2. Their debut album Star Stuff is out this March 31st, and you can hear its sprawling new single “JBS” below. Continue reading →
After a stellar midday tribute to the Grateful Dead a few weeks ago, Mason Porter and Chris Kasper bring the show to the Ardmore Music Hall tonight. Kasper and his band will perform American Beauty, the 1970 record that included “Sugar Magnolia,” “Truckin'” and “Box of Rain.” For Mason Porter’s set, he’ll do versions of “Uncle John’s Band,” “Casey Jones” and others from Workingman’s Blues. Tickets and information for the 21+ tribute show can be found here. Watch Mason Porter perform “Cumberland Blues” at the Free at Noon below.
We’re back for another Indie Rock Hit Parade tonight at 11pm on WXPN! This week’s show is full of old friends and new ones. Don’t miss our brand new session with the venerable San Francisco duo the Dodos. They’ll play songs from their latest album, Individ, live in our studio.
And if you’ve somehow waited this long to listen to Courtney Barnett‘s debut album, Sometimes I Sit And Think And Sometimes I Just Sit, then you’re in luck. We’ll play a few songs from Courtney on our Weekly Album Spotlight.
Chaz Bundick is best known as his performing name, Toro y Moi. Originally from Columbia, South Carolina, he released his debut album, Causers Of This, in 2010. It came out just as the genre of chillwave music was making waves. Continue reading →
Support for My Morning Download, from Flying Fish Brewing Company
The Indie Rock Hit Parade is back with a vengeance tonight at 11pm on XPN. And by “with a vengeance,” I mean to say “a ton of new music that you won’t want to miss.” Tune in for a full two-hour show, starting immediately after Land of the Lost with Robert Drake! We’ll spotlight No Cities To Love, the first new album from the mighty Sleater-Kinney in a decade, plus hear a few of these fresh new tracks:
Somewhere between funk, disco, yacht rock and electro boogie sit (or actually, dance) Montreal duo Chromeo (Dave 1 and P-Thugg). Their soon to be released new album, White Women, is their first since 2010’s Business Casual and featured contributions from Solange Knowles, Vampire Weekend’s Ezra Koenig, and on the new song below – “Come Alive” – Toro Y Moi. The band is playing Union Transfer on Wednesday, May 14th. Tickets go on sale this Friday, January 10th at Noon. “Come Alive” is a funk fantasia with grooves that bring to mind Mayer Hawthorne and Earth, Wind & Fire with a little Seventies styled Fleetwood Mac thrown into the mix.
The Firefly Music Festival wrapped up its second year in a giant field off of the Dover International Speedway with some rain, considerably more mud, an army of inflatables and a lot of fun.
Haim‘s poppy, percussion heavy set greeted us as we entered the grounds, followed by LA singer LP early on – she had a bright blue suit, a ukelele, a voice reminiscent of Chrissie Hynde, a stylish 90s alt-pop sound and a great command of the crowd; when the skies opened up for the first time in the afternoon in the middle of her set, folks kept dancing. The second rainstorm happened a little later during Matt and Kim‘s set, but their insanely catchy songs and practically mandatory crowd participation won out over the storm clouds just as handily (check out a video of a balloon / beach ball release here). That said, holy cow those are two ridiculously perky people, and not necessarily in the best way.
Thankfully Kishi Bashi was a nice comedown – the versatile indie violinist (Of Montreal, etc) and sound loop artist created a portable chamber orchestra show on the festival’s backyard stage. He worked through his 151a album and shouted out the fan in the crowd waving a Ron Swanson flag apropos of nothing. Next, California band Trails and Ways played an impressive set of wandering, worldly pop-rock on the festival’s (unfortunately) under-promoted Coffeehouse Stage. Through the woods and across a field, Toro y Moi delighted their crowd with a set of synth-groove disco as the clouds broke and the sun beamed in.
Passion Pit frontman Michael Angelakos bounded on the mainstage with tremendous energy, determined to atone for the band’s cancellation at Firefly 2012 (when, he explained, “I was in the hospital, it was fucked up, I didn’t think I’d ever play a show again”). He grumbled a bit about allergies, then went on to tear across the set, sounding great but maybe overdoing it a bit since his voice blew out near the end. He explained this, and said “I’m really going to need you to sing along on these last few.” Though it initially seemed like gimmick to drum up singalongs, by the ending notes of “Little Secrets,” you could hear his falsetto straining and wheezing. But Angelakos kept pushing it further – poor dude.
Providing the perfect wrap-up before we hit the road, Vampire Weekend played a 90-minute set on the festival’s Lawn Stage, hitting the old favorites (“A-Punk,” “Cousins”), the vibey deep cuts (“Diplomat’s Son,” “Ladies of Cambridge”) and a good portion of the excellent new Modern Vampires of the City (“Everlasting Arms” sounded incredible, “Hannah Hunt” was sweet too). We’re pretty excited for their return to Philly in September. More photos from the festival after the jump, and earlybird preorders for Firefly 2014 (June 20 through June 22) go on sale Wednesday. Continue reading →