Big things are happening for indie rock/folk band Big Thief. After two successful albums — Masterpiece in 2016 and Capacity in 2017 — the group is set to release a third album this May mysteriously titled, U.F.O.F. This is the first album Big Thief has released since signing with 4AD, and the title track, “UFOF”, is out now. If that weren’t enough for you folk rock alien-believers, Big Thief has also released a North American tour that will stop at Union Transfer in November. Continue reading →
Philadelphia’s Strand of Oaks is readying the spring release of its sixth LP, Eraserland, and today frontman Tim Showalter brings us another taste of the record. Following the pensive build-and-burn of album opener “Weird Ways,” this teaser is a joyous pop anthem called “Ruby,” built around a ringing chord progression, snappy staccato keys, and a hooky refrain about not losing sight of the joy in life as time marches on: “Ruby, won’t you slow it down, this is happening so fast.”
“Ruby is by far one of the happiest songs I’ve ever written, unabashedly so,” Showalter writes on Twitter. “I know this seems like strange, uncharted waters for the Oaks catalog and especially Eraserland, but even the darkest night has a dawn. This is a song about the time and how with each year passing it feels like a dream.” Continue reading →
Sharon Van Etten‘s new album Remind Me Tomorrow is a different direction for the singer-songwriter: futuristic and spacey synths colliding with her one-of-a-kind voice and old-school style. Her stop in Philly at Union Transfer explored all of this. Van Etten’s set on Thursday felt like a new awakening for the artist, who had taken a long break from touring after her previous album, Are We There. The energy from the stage was palpable, and the crowd was electrified by the band’s performance and Van Etten’s gripping presence. With it being only night two of eighteen, there are still kinks to be worked out, but they were far outweighed by the sheer star power Van Etten brings to her live show. Continue reading →
After a couple years of dazzling listeners, crowds, and YouTube subscribers with a gripping fusion of pop melody and macabre presentation, ominous R&B singer Billie Eilish will make her full-length debut this March with the Interscope Records release When We All Fall Asleep, Where Do We Go?. With last week’s news of the album comes this week’s news of a tour, featuring acclaimed rapper Denzel Curry, whose Loma Vista LP TA1300 was one of our 20 Albums Not To Overlook in 2018; their Philadelphia date is set for June 15th at The Met Philly, more information can be found at the XPN Concert Calendar. Continue reading →
Sharon Van Etten makes me feel like I don’t do anything.
In the five years since her 2014 opus Are We There alone, it would be hard to find something she hasn’t done. In addition to touring behind that album, she performed and collaborated with countless other artists. She started scoring films. She branched out into acting and appeared on some of the buzziest cult television shows of the era. She even started pursuing her degree in Psychology. On top of all of that, she settled into a long-term relationship and became a parent. Oh yeah, and she wrote and recorded her latest masterpiece, the soaring, sobering Remind Me Tomorrow. Just typing all of that out makes me want to go back to bed, but Van Etten sounds as energized and dynamic as ever. While this album’s songs aren’t about these life events and achievements, specifically, they do accurately convey the emotions and perspective shifts that came with them. It’s a meditation on what it’s like to be happy during unhappy times, and how important and challenging it is to stay happy.
Ahead of next week’s performance at Union Transfer, Sharon was gracious enough to have a long chat with me about everything that’s been going on in the years leading up to Tomorrow, the work and influences that went into it, and how she stays grounded and positive through everything going on around us. Continue reading →
A few years back, indie rock four-piece Commonwealth Choir was a ubiquitous force on the Philly scene. They were always on some bill or another, they had songs pop up on Bandcamp EPs and cassette-only splits. Hell, singer-guitarist Davis Jameson Howely’s mug landed on an XPN digital billboard at one point.
It was an evening with Hiss Golden Messenger on Wednesday night as Durham, NC singer-songwriter M.C. Taylor brought his four-piece band to Philadelphia to headline Union Transfer. The band’s most recent album, Hallalujah Anyhow, is just over a year old, and their set mixed up songs from it, as well as their recent Heart Like a Levee from 2016 and a mix of their back-catalog, including cuts from 2012’s Poor Moon and 2014’s Lateness of Dancers. Continue reading →
West Coast rockers Wavves team up with Brooklyn boys Beach Fossils to embark on one of the best indie rock tours of the fall season. I, for one, am a fan of stacked bills, and it seems like the bands are too. Previously, Wavves shared a bill with Post Animal at The Foundry, Best Coast and Cherry Glazerr at the Electric Factory, and even FIDLAR at Johnny Brenda’s way back in 2013. Beach Fossils don’t mess around either, playing the Church with Snail Mail last year and Union Transfer with Kurt Vile in 2013. The two heavyweights now join forces (and bring along Hoops’ Kevin Krauter) to tour the country. Continue reading →
Next week, The Hold Steady embarks on their long-awaited two night run at Union Transfer, and we’ve just caught word of who will be opening the shows. Night one on July 26 kicks off with indie favorites Beach Slang, who are making a quick return to town after performing at Underground Arts last week in support of their latest album, Everything Matters But No One Is Listening. The second night on July 27 brings punk outfit Worriers, the project of Philly-based musician Lauren Denitzio, to the stage; they recently toured with The Wonder Years after releasing their sophomore album Survival Pop last fall. Continue reading →