Philadelphia’s Ursula Rucker is part of America’s continuum of Afro-conscious performance poets such as Gil Scott-Heron, Wanda Robinson, Sonia Sanchez and The Last Poets. Yet, since the early 90s – her work with King Britt, Josh Wink, The Roots, a series of electronically devised solo albums – Rucker has modernized its musical form, while maintaining a uniquely seductive éclat that is hers and hers alone.
In the last several years, she has tucked into her past, and that of her family’s to come up with a lengthy performance piece My Father’s Daughter. Now, after spending the month of October performing its tales of motherhood and survival at NYC’s Club Theatre at La MaMa, the guileless poetess and atmospheric guitarist Tim Motzer have returned home to co-craft a love letter to the City of Brotherly Love’s present day changes in gentrification and beyond at the Kimmel’s SEI Innovation Studio on December 9.
Motivated by percussionist Doug Hirlinger and joined by co-composers John Swana (valve trombone) and M’Balia Singely (lyricist), the currently skeletal “Dear Philadelphia” tone poem is part of the Kimmel’s Jazz Residency program with its final, staged performance occurring next spring. So, at the very least, we know what Rucker has planned for the next six months. Though we conducted this interview via email, Rucker’s rhythms and cadences come roaring through. Continue reading →