Local indie rockers Church Girls make a stop at Ortlieb’s for a fantastic gig with The National Reserve and Tinnarose. Think if Franke Cosmos decided to expand her haiku-like sound with some dirtier guitars, and you end up with some lovely post-punk. The gig is 21+, and more information/tickets can be found on the XPN Concert Calendar. Continue reading →
Synthpop masters The Radio Dept. are taking over Union Transfer for the night, kicking off their US headling tour with Germans. The tour celebrates the band’s first record in six years, making tonight’s spectical a long awated one for some. The gig is all ages, and more information/tickets cane be found at the XPN Concert Calender. Continue reading →
Central PA acoustic punk fave Koji is coming out east for a gig at the Voltage Lounge, bringing along The Homeless Gospel Choir, Steve Layman, and Space Cadets to open the show. His most recent release is this year’s Keeping Count 7″. The gig is all ages, and more information can be found at the XPN Concert Calendar. Continue reading →
Columbus indie rock band All Dogs are playing at the First Unitarian Church tonight. The band, who are celebrating success from their album Kicking Every Day, will be supported by Pinkwash, Three Man Cannon, and Loose Teeth. More information here.Continue reading →
We have been big fans of Philly indie rockers The Districts for some time now. Since their formation in 2009 the band has quickly ascended the ranks of Philly indie rock, rapidly becoming the unequivocal “band to watch”. Recently we here The Key got a chance to talk to the band about this journey, which continues with what is arguably their biggest Philly show to date tonight at the Electric Factory with Lady Lamb and fellow Philadelphians Purples. You can click here to get more information on tonight’s show. Continue reading →
You’ll probably notice that Philly rapper Visto sports a New York Yankees hat in his latest video, “Downtown.” It’s not an anomaly or an accident – comb through his social media and you’ll find that he’s rarely photographed without it, and with good reason. Visto (offstage name: Travis Walker) was born and raised in the Bronx before making his way to Philly five years ago and pursuing his music career locally. Continue reading →
Legedary funk man George Clinton performs at Sands Bethlehem tonight. Leading a number of incarnations of his bands Parliament and Funkadelic since the 50s, Clinton became known as the Grandfather of Funk after catapulting the genre into popularity. Now running a solo act, Clinton performed “Uptown Funk” with Mark Ronson, Mary J Blige and Grandmaster Flash at Glastonbury just last week. Pick up tickets for tonight’s concert here and watch the video for his song “Atomic Dog” below.
Farah Siraj grew up in Amman, Jordan, and though her music is rooted in the traditional sounds of her home country, she takes an expansive approach to songwriting. Incorporating bits of jazz, flamenco and folk, Siraj breaks down traditional barriers, and also uses her songs as a means for humanitarian advocacy. Tonight she headlines World Cafe Live; tickets and information on the show can be found at the XPN Concert Calendar. Continue reading →
We knew we were hearing something good when Michael Collier hit us up late last summer to check out his songwriting, Del Sur. Collier had just graduated high school out in the burbs, and was about to head off for college, but wanted to get his music out there; we premiered his H.A.G.S. EP in September, and a few months down the line, we get word that the sunny indie pop collection is getting an official re-release on January 27th. Continue reading →
Both punk rock and professional wrestling have their hardcore sects, but rarely do the two cross paths. Enter UltraMantis Black, a mainstay of the Easton-based Chikara Pro independent wrestling promotion, who can now add punk frontman to his list of accomplishments. Earlier this month, the masked UltraMantis teamed up with members of Pissed Jeans to release his debut EP, and will celebrate the release at Voltage Lounge on Thursday as part of Relapse Records’ This Is Hardcore Afterparty. The leader of the Spectral Envoy discussed his efforts in the squared circle and on the stage from his home base in the mysterious, storied Parts Unknown.
The Key: How did you move from pro wrestling to punk rock?
UltraMantis Black: I’d been doing music prior to my professional wrestling career, but decided in the past year or two that I wanted to bring that part of UltraMantis Black out. Some of the members of Pissed Jeans approached me about doing something a few years ago and I was a bit hesitant at first because I was concentrating on professional wrestling at the time and didn’t really see a way to balance the two. Now I’ve found a way to bring them together.
TK: How do the two relate in your mind?
UMB: I think they’re very similar. Punk rock and professional wrestling have more in common than most people might think. Both the communities and fanbases involved in each are niche audiences. I feel like performing in front of a crowd onstage or within a
wrestling ring, you’re trying to entertain, trying to convey a message, trying to display your art form, so I see them both coming together in that way.
TK: Who is UltraMantis Black?
UMB: Ultramantis Black is known as the Mayor of Parts Unknown, a part-human, part-insectoid overlord of professional wrestling. A little bit of evil, a little bit of deviousness, but at the same time bringing a little consciousness back to professional wrestling.
TK: Does the character put forward the same message in both arenas?
UMB: I think so. I’ve always tried to bring something different to professional wrestling, something that probably wasn’t always there. I speak my mind, I speak what I feel will open other people’s eyes to my own personal beliefs and philosophies and they way I look at life, and that’s probably unorthodox in professional wrestling but I think it’s worked. I’ve developed a fan base in wrestling that’s not the typical professional wrestling crowd, and with the band I wanted to bring social and political aspects of punk rock back to hardcore, where I think it’s been lacking in recent years.